Word: charmings
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Dates: during 1920-1929
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...Suez Canal passes the bounds of national interest and becomes a contest for the breathless world to watch. His scenes with Lady Beaconfield (Mrs. Arliss) are touching, without being sentimental; with Lord Probert (Ernest Torrence) he transmates financial discussions into powerful drama. The lovely Joan Bennett has charm in the innocuous romantic subplot. But none of the other characters are, or need to be, outstanding. The leading man carries off the play...
...have nothing to say," she rapped out in the decisive manner that is half her charm, "I'm hardly a subject for an interview...
...starring in "The Whole Town's Talking" at the Plymouth Theatre remarked, "the actors whom I know who have gone over to the talkies for short periods have universally disliked the work. There is none of the freedom and spirit of the legitimate stage,--none of the charm. It is the personal contact with the audience that makes the acting profession fascinating...
...judgement and extravagance and whose compensating virtues are limited to a determination to keep them-with her and a touching habit of buying roses when the source of the next meal is in doubt. In spite of the difficulties of the part it does not take her long to charm the audience into sympathy with her struggle to keep the family together and their support becomes almost vociferous at critical points...
...talk embraces: incompetency of U. S. criticism, monogamy v. polygamy, decline of detective stories, postures of college radicals, difficulty of censoring silent cinema, cosmopolitan U. S. interior decoration, Manhattan's dead gentility, U. S. bibulous and Prohibited. U. S. "boobisms," name-changing, sentimentality Bernard Shaw's chief charm, U. S. lack of romantic or musical appreciation, social rise of the Southern Negro, exercise unnecessary, emasculation of U. S. actors by Anglicizing, a six-page list of the sex-business in one season's plays, the U. S. "itch for bogus purple," the old U. S. saloons...