Word: charmings
(lookup in dictionary)
(lookup stats)
Dates: during 1920-1929
Sort By: most recent first
(reverse)
...some time on the Continent, living in Paris, in Italy. He knew Henry James in the days when that sensitive young man was trying to recover from the shock of calling on De Maupassant and finding him, not unaccompanied, in bed. He was a friend of Whistler, whose charm had an immense influence upon him and whose acid humor was not unlike his own. He drank wine with Andrew Lang; he knew Edmund Gosse and F. Hopkinson Smith, "whose books," he said of the latter, "I never could stand?or the sight of him either." Then he came back...
...applause was no longer conservative. The charm of an irresistible personality, smoldering through the evening, never revealing more than a flicker of its hidden fire, had burned home its deep impression. When she sang her most famous piece, "Violetera," where she goes among the audience with little violet bunches to offer musingly, withdraw capriciously, bestow impetuously, the starched and bejeweled Manhattanites arose and cheered. Her acknowledgment was?a quiet curtsy. More cheers. She sang an encore. The final "Brava!" The audience went home to talk it over, a new fad that promises to last weeks after Meller's departure...
...great occasion in the theatre; one of the few supreme personalities of entertainment had fulfilled her promise, and Meller, who carries eight golden bracelets as mementos of her great successes, was fully entitled to purchase a ninth golden bangle. Yet the barrier of language and the unfamiliarity of a charm that has fathomless depths but no tumult had obtruded themselves. The audience had been appreciative, engrossed, deeply stirred; but they did not drag her coach home to the hotel...
Barrie's Maggie in the play is supposed to be a woman without charm. The part must then be played by a woman of such infinite charm that she can triumph over unattractive dresses and other consequential detriments to the average woman's triumph. This Miss Hayes has done, and by so doing releases herself definitely from the (for her) ever present danger of being our brightest and best stage flapper...
Miss Hempel sang two groups. The first consisted of Lieder by Marx, Richard Strauss, and Hugo Wolf. These numbers tended toward the humorous, and while they were sung with charm it was in the second group that Miss Hempel again proved herself the sterling artist she is. This began with the Grand Aria from "Dinorah" in which the demented heroine chases her shadow vocally and competes with a flute. Miss Hempel easily won the competition. The chromatic octave which she ascended and descended twice in one breath was a noteworthy feat. The pathetic "Schwesterlein" of Brahms, the rollicking humour...