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Throughout the series, Bill has displayed the charm, belief and obsessive drive of a born politician - or a dictator, whose ego is rarely clouded by the saving grace of self-doubt. For any man on a God-ordained mission, whether he's a Muslim or a breakaway Mormon, the end justifies the means, however shabby. Earlier this season, he pressured Don, his friend and business partner in the Home Plus stores, to "take the bullet" by outing himself as a polygamist, allowing an unsullied Bill to proceed with his campaign. Friends' lives ruined, his son ostracized: it must...

Author: /time Magazine | Title: Big Love: Shark-Jumping in Utah | 2/21/2010 | See Source »

...stranding the Ghost in wide frame, on a turbulent island, and tightening the noose around his neck as he gets closer to an awful truth. Alexandre Desplat's violins saw away, in approved Bernard Herrmann fashion, as appliers and absorbers of dramatic shocks; and McGregor brings all his charm and intelligence to the vague figure of a Hitchcock hero who slips into circumstance and chicanery until he morphs into a Polanski victim. (See the 100 best movies of all time...

Author: /time Magazine | Title: The Ghost Writer: Polanski Escapes into His Cinema Nightmares | 2/20/2010 | See Source »

...artists making more potent use of the ideas he was developing. The heart of the problem is the challenge Renoir set for himself: to reconcile classical and Renaissance models with the 18th century French painters he loved. To synthesize the force and clarity of classicism with the intimacy and charm of the Rococo is a nearly impossible trick. How do you cross the power of Phidias with the delicacy of Fragonard? The answer: at your own risk - especially the risk of admitting into your work the weaknesses of the Rococo. It's a fine line between charming and insipid...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...character development.  All of the characters are one-dimensional, except for the surprisingly excellent Ashton Kutcher.  As the film’s central character, Kutcher undergoes the most changes over the course of the day and gradually wins over the audience with his combination of charm and down-to-earth attitude.  In a film directed by the menopausal king of chick flicks, Garry Marshal (“Pretty Woman,” “Runaway Bride,” “Overboard,” and “The Princess Diaries?...

Author: By David G. Sklar, CONTRIBUTING WRITER | Title: Valentine's Day | 2/17/2010 | See Source »

...tapping drum beats and a sportive tambourine, providing solid accompaniment to jaunty piano reminiscent of Belle and Sebastian. Vibraphone and hand claps, as well as the background “doo-wops” and “la-la-las,” imbue the song with genuine charm. It doesn’t quite match the innovation of the more experimental tracks, but it does prove a memorable addition to Tindersticks’ vast repertoire...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

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