Word: charms
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Dates: during 1980-1989
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...there is still charm in Florida. Like the little girl singing the opening-day anthem at Port St. Lucie with a finger jammed in each ear; and Miss Clearwater presiding over the Phillies' inaugural in her sash and tiara; and Bobby Bonds' son Barry, a young outfielder for the Pirates, remarking in the dugout, "I liked most of my father's teams: the Cards, Yanks, Angels, White Sox, Rangers, Cubs, Giants -- not Cleveland." And the real-life pitcher Jack Armstrong, who like his namesake from the 1930s radio series seems to incarnate the all-American...
Gore is a combination of St. Alban's polish and down-home charm, Harvard intellectualism and backwoods shrewdness. He is almost as at home wearing pointy cowboy boots as clunky wing tips, drinking Corona beer in a rowdy bar as sipping Chablis in a Georgetown salon. But not quite. Now, in an effort to reposition himself, Gore the cerebral technocrat is coming on like a fiery champion of "working men and women." His problem is making the transformation credible. On the stump, he attempts to heighten emotions simply by raising the volume of his voice. Though he has fought...
...quality and frames his adaptation around the premise of a group of adults (Arthur Fuscaldo, Lee Thomsen and Maria Troy) performing the tale to pacify a difficult little girl (Annie Gustavsen) who has locked herself in a basement room, Happily, this device manages not to cross the boundary from charm to terminal cuteness, and while you may occasionally feel like a little malchik being tucked into bed by your babushka, it's hard not to fall for this charismatic production...
...Yale production stressed the dichotomy between Old World awareness of the burdens of the past and New World faith in the perfectibility of man. This is downplayed by the Broadway cast. So is the Soviet's seductive charm in comparison with his American colleague's priggishness. Sam Waterston makes the U.S. delegate appealing even when he is obsessive. This gifted but erratic actor hits a career high with a scene in which he reveals the personal strain of feeling responsible for the fate of mankind. As the Soviet, Robert Prosky has most of the more poetic speeches, but he looks...
Added to this charm of style is a story that remains consistently riveting. The convoluted efforts of the psychiatrist Martha Livingstone and Mother Miriam Ruth to discover the truth behind the young nun Agnes' strangled baby have all the fascination of a beautifully morbid detective story. Sex and murder, after all, are seldom dull...