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Word: charriere (lookup in dictionary) (lookup stats)
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Chicest at the moment is a crowded hole in Montparnasse called New Jimmy's, where Novelist Francoise Sagan and cinema's Roger Vadim, Jacques Charrier and Jane Fonda turn up to Hully Gully. London's discotheques range from the superexclusive Annabel's in Berkeley Square, where Guardsmen, debutantes and top-drawer jet-setters can order an excellent full-course dinner as late as 3 a.m., to the come-one-come-all Crazy Elephant in Jermyn Street, where the beat is blue, the mood frenetic, and the Shake is the thing...

Author: /time Magazine | Title: Night Life: Slipping the Disque | 3/20/1964 | See Source »

...Third Lover. Claude Chabrol has made a chilling psychological thriller about the sin of envy. Jacques Charrier is the baby-faced rat who wrecks a marriage and causes a murder because others' happiness makes him angry...

Author: /time Magazine | Title: Cinema: Jun. 7, 1963 | 6/7/1963 | See Source »

...Third Lover. Claude Chabrol has made a chilling psychological thriller about the sin of envy. Jacques Charrier is the baby-faced rat who wrecks a marriage and causes a murder because others' happiness makes him angry...

Author: /time Magazine | Title: Cinema, Television, Theater, Books: may 31, 1963 | 5/31/1963 | See Source »

...picture is about envy. A French newspaper writer (Jacques Charrier) comes to a village outside Munich and, after basking for a while in self-pity because nobody will notice him, manages to meet a jolly German (Walther Reyer) who is a famous and successful author. To Charrier's amazement, Reyer and his stunning wife (Stephane Audran) make him feel so at home in their luxurious villa that he soon has a latch-key familiarity with the couple. This sudden rescue from loneliness should make Charrier happy; instead, watching Stephane perch adoringly on the arm of her husband...

Author: /time Magazine | Title: Cinema: Minus Ambiguity | 5/10/1963 | See Source »

Director Claude Chabrol's choice of the dimple-faced Charrier to play his twisted protagonist brings a touch of spoiled boyishness to a role that might have been merely sinister in more virile hands. Much of the plot is forthrightly told in the first person by Charrier's own voice-an earnest of Chabrol's continuing drift away from the Marienbadian labyrinths and the Breathless ambiguities of some of his fellow New Wave moviemakers. Plain moviegoers are going to like...

Author: /time Magazine | Title: Cinema: Minus Ambiguity | 5/10/1963 | See Source »

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