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Influential people are sometimes also powerful in the conventional sense. But in the organizational flow chart of American life, they are more likely to occupy some hard-to-fathom box off to the side. Dick Morris, the President's closely-attended-to political adviser, doesn't even have a formal title. And on the Supreme Court, it has been decades since the titular chief was the real power center. During the 1970s and early '80s, the years of Chief Justice Warren Burger, the court's magnetic field emanated from the direction of William Brennan, who figured out how to attract...

Author: /time Magazine | Title: YOU'VE READ ABOUT WHO'S INFLUENTIAL, BUT WHO HAS THE POWER? | 6/17/1996 | See Source »

...band; and at 25 he won first prize in the prestigious Thelonious Monk International Jazz Competition. His subsequent career as a recording artist also met with early success--he is the first musician to have had his first three albums reach No. 1 on Billboard's traditional-jazz chart...

Author: /time Magazine | Title: MUSIC: SHADES OF BLUE | 6/17/1996 | See Source »

...Justice Department confirmed last week that it has begun a probe of the salty-snacks industry; insiders say it is focusing on Frito-Lay. The action was all the more unexpected because other companies have amassed even larger shares of their respective markets without government eyebrows being raised (see chart). But Justice is said to be looking hard at Frito-Lay's use of shelf allowances, a common retailing practice in which manufacturers pay stores up to $100,000 a foot for desirable shelf space. Among other things, investigators want to know if Frito-Lay has been purchasing more space...

Author: /time Magazine | Title: FRITO-LAY UNDER SNACK ATTACK | 6/10/1996 | See Source »

...pull-out chart in the June 3 issue of The Nation excellently highlights these tentacles of the media octopi. The accompanying article, by Mark Crispin Miller of Johns Hopkins University, credits the federal government for allowing the perpetuation of the media trusts and for permitting their pernicious effects on our culture. He writes of "the true causes of those enormous ills that now dismay so many Americans: the universal sleaze and 'dumbing down,' the flood-tide of corporate propaganda, the terminal inanity of US politics. These have arisen not from any grand decline in national character nor from the plotting...

Author: NO WRITER ATTRIBUTED | Title: Corporate Takeovers of the News | 6/3/1996 | See Source »

...addition to its passive main character, "Dead Man" subverts the Western genre by relying on visual and sound effects, rather than plot events, to chart the progress of the character. The film is shot in black and white, an effect which "was built into the story from the moment I started imagining it," says Jarmusch. "A guy goes into a world that becomes very unfamiliar to him and the black and white allowed that kind of eerie, unfamiliar quality to be maintained." The use of black and white was necessary to further dismantle the Western rubric because "the color values...

Author: NO WRITER ATTRIBUTED | Title: INTERVIEW WITH A DEAD MAN | 5/6/1996 | See Source »

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