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...wife and her husband to his Christmas parties. He spoke to reporters even as some of them peeked into his locker and hunted down his ex-wife and past girlfriends. He didn't go after bad pitches, no matter how many pitchers tried to derail his record chase by avoiding the strike zone. Blinded by thousands of popping flashbulbs from both sports photographers and fans waiting for his record-breaking 62nd homer, he says he didn't notice any of them. Mark McGwire would be a robot, only who would make a robot that goes to therapy and cries during...

Author: /time Magazine | Title: Mark McGwire: Mark of Excellence | 12/28/1998 | See Source »

...Urban Nutcracker is a perfectly serious work of choreographic art--Chase sees to that--but like much of what happens at the Cleveland School of the Arts, it is also an exercise in human reclamation, carried out on the tightest of budgets. Though the plaster is crumbling and the radiators are as old as fossils, these classrooms crackle with an exuberance no amount of poverty can discourage. Two-thirds of the students here come from families on public assistance, yet three-quarters of the students go on to some form of higher education. "Some will become dancers," Chase says. "Others...

Author: /time Magazine | Title: Cleveland: Hardening the Nutcracker | 12/21/1998 | See Source »

This is An Urban Nutcracker, the latest and most ambitious product of a five-year collaboration between Alison Chase, a founding member of the innovative Pilobolus Dance Theatre, and Bill Wade, director of YARD (Youth at Risk Dancing), a company of teenagers drawn from the student body of the Cleveland School of the Arts. It's hardly the first time The Nutcracker has been updated: Mark Morris' raucous The Hard Nut is set in postmodern suburbia, while Donald Byrd's Harlem Nutcracker uses Duke Ellington's swinging adaptation of Tchaikovsky's score. But An Urban Nutcracker has a special ring...

Author: /time Magazine | Title: Cleveland: Hardening the Nutcracker | 12/21/1998 | See Source »

...recent rehearsal, Chase and Wade were working out a scene from the second act. One boy sat in the corner of the studio, crisply dribbling a basketball; three others started slamming balls on the floor to a hip-hop beat. All at once the air was full of dancers, and what looked at first glance like boiling chaos quickly resolved into a joyous explosion of movement and sound. This is one of the "foreign lands" to which Miesha travels: a pro-basketball game. "You have to remember," Chase points out, "that for most of these kids, actually going...

Author: /time Magazine | Title: Cleveland: Hardening the Nutcracker | 12/21/1998 | See Source »

...cared about him but because it made a good story. While we may convince ourselves that we read the newspaper to become informed members of a democracy, we really read it for stories. I didn't want the Texas Fugitive Guy to re-enter society. I just wanted the chase to drag out into a page-turning action-mystery. Or a romantic tearjerker. Or any of those Blockbuster categories...

Author: /time Magazine | Title: Rooting for the Death-Row Fugitive Guy | 12/14/1998 | See Source »

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