Word: chases
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Dates: during 1970-1979
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...cold war days, Americans might have joined Solzhenitsyn in his urgings. But detente, the benefits of trade, the establishment of a Chase bank in Moscow, and the hope for arms limitations have made the U.S. more tolerant of the Kremlin. The convergent development of the U.S. and the U.S.S.R., though, will not much liberalize Russian society. Like environmentalists here and the economists of the Club of Rome, Solzhenitsyn has also urged his country to turn away from its dream of Western technological progress. Instead, he suggests, it should create in the Northeast territory a vast community in which science might...
...landscaping for the U.S. Pavilion at Montreal's Expo 67, and is doing the John F. Kennedy Memorial Library's displays. Seeking to put personality into corporate identity, he has designed trade logos, exhibitions and lobbies for such clients as Pan American World Airways, Mobil Oil, the Chase Manhattan Bank. Born in London, he lived in Canada, graduated from Yale, is now a partner in design firms in New York and Cambridge, Mass. Recently he conceived the symbol and identity program for the American Revolution Bicentennial Commission...
Earl G. Graves, 39. Chase Manhattan has a friend in Earl Graves. The bank put $25,000 into his monthly Black Enterprise magazine four years ago, now values its investment at nearly $500,000. Graves went from Brooklyn's Bedford-Stuyvesant ghetto to win a scholarship at Morgan State, later was an adviser to Senator Robert Kennedy's Bed-Stuy redevelopment project. An ex-Green Beret captain and federal narcotics agent, he started Black Enterprise in 1970, turned a profit the first year, now earns more than $2 million in ad revenues. Suave and ambitious, Graves has expanded...
Coward's Lives is organized in an unusual and precarious manner for a situation comedy: a threadbare plot is sprinkled with "life-lines" (guffaw-inducing one-liners) for the major characters, Elyot Chase and Amanda Prynne, and occassional emergency appearances of the play's idiotic and insufferable secondary characters (Victor Prynne, Sybil Chase, and Louise). The first act introduces the entire plot: Amanda and Elyot, once married and later divorced, fall in love again while honeymooning with their newly found spouses, Victor and Sybil--two cretin-like characters representing the very best in English shallowness. There is no further development...
...proved in Klute, Pakula has a restless eye for the banalities of daily life that gives the picture a richer texture than is usual in this genre. Early on, the film offers some promise. There is a brisk barroom brawl and a short car chase that is more smartly handled than these maneuvers usually are. But there is no way to build an overparanoid thriller or to provide a satisfactory ending. If the hero can break the conspiracy unaided, it cannot be much of a conspiracy. If, on the other hand, the conspiracy is all powerful, then the audience...