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...Russia, where there was virtually no tradition of sculpture, the planar impulse took two directions. One-as its name, suprematism, indicates-tried to transcend the material world. The painter Kasimir Malevich and his students, like Ilya Chashnik, devised reliefs and models that in their crisscross of small rectangular shapes and larger blocks resemble models for imaginary buildings or cities. They were, in a very rarefied sense, social blueprints, though quite unworkable ones. Perhaps Russia was the only country in which artists could seriously imagine that abstract art might attain the moral compulsion of a holy picture. Chashnik's Large...

Author: /time Magazine | Title: Art: At the Meeting of the Planes | 4/16/1979 | See Source »

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