Word: chasings
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Dates: during 2000-2009
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...league in hits at the age of 40, but 55 games were struck, he was heard to worry, "Cobb is getting further away." If not in Philadelphia at the mean end of the 1983 World Series against Baltimore, then in Montreal at the bad beginning of last year, the chase seemed doomed. Thanks in huge measure to Rose, their richest free agent, the Phillies in 1980 finally celebrated a world title after 97 barren years, but when they neglected to win another, he was discarded as too old. Benched in the third Series game against the Orioles, Rose...
...time local officials dreamed that it would become a world financial capital in a class with Singapore. No one talks that way today. The decline in construction financing and restrictions by Saudi Arabia on dealings in the riyal, the Saudi currency, have hurt business. Many banks, including Citibank and Chase Manhattan, have slashed staffs and slimmed operations...
...first books featuring the raffish investigative reporter Irwin Maurice Fletcher, Mcdonald declined into extended archness of phrase and plot. He found his way again in last year's Flynn's In, featuring his other series character, Boston Police Official Francis X. Flynn. The film of Fletch, starring Chevy Chase, was a summer comedy hit, and Fletch Won continues the upbeat pace. Here the brash young man is observed in what Hollywood calls a "prequel," an adventure that takes place at the start of his career. Mcdonald has a discerning ear for the cocky conversation of youth...
Watching Walter Lloyd conduct a high-speed car chase or evade pursuers by diving off a bridge into the icy waters of Hamburg harbor is, if you are a gentleman of a certain age, roughly equivalent to watching Phil Niekro win his 300th game. It extends the effective life of one's youthful fantasies a few minutes more. But while stimulating that harmless activity, Target also encourages a modest re-examination of the ideological scaffolding on which the older generation erected some of its dreamwork...
That's about as complex as the dialogue and characters get in this chic, wanton thriller. To which Director William Friedkin might riposte, "They're called movies, you know, not chatties or peo-plies." L.A. does move, notably in a brutal, bloated car-chase sequence pilfered from Friedkin's nifty The French Connection. In his God's-eye-view shots and acrobatic love scenes, he also pays tribute to the styles of Martin Scorsese and MTV. So the villain, Counterfeiter Willem Dafoe, is no more rotten or less picturesque than the hero, William Petersen. So everybody stinks. It matters...