Word: chass
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Dates: during 1990-1999
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Other scenes gave some indication that the production was updated for a '90s audience; this may well be the case, as Boston Conservatory faculty member Michelle Chass redid the choreography for this performance. Case in point: a random "flashback" to Donna Lucia's life in the steamy tropical forests of Brazil introduced an unmistakable erotic element into the performance a bit out of keeping with the British conservatism played up by the rest of the musical. Maybe it wouldn't have flown 50 years ago, but it did enliven the stage without being overly out of place...