Word: chatterly
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Dates: during 1950-1959
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...most preoccupying subject in the U.S. book trade just now is the future of paperbacks-and the chance of finding a big market for paperback originals as well as for reprints. But in all the chatter, few ask the question: How good is the stuff being published? The talk runs, instead, to sales and distribution problems, to authors turning from established publishers to the better royalty deals and bigger circulation promised by the paperback newcomers...
...home and rest up. Pretty Roberta went home, all right, but not to rest; she had never sung the opera, had not even studied it for five years. She called in a relay of coaches, who put her through the plot, brushed her up on the endless chatter of Italian recitatives, reminded her of the Metropolitan's new stage layout. At 5:30 she was polishing off a preperformance steak ("If I don't eat, I feel weak before the show is over"), and at 6:45 was going over some crucial musical points with Conductor Fritz Stiedry...
...peinture qui sera vraiment extraordinaire. Dufy frocked me in a white toga-like affair which had been borrowed from an amateur theatrical group, had me strike the pose he wanted, and then began to slash away with bold strokes ... all the while keeping up a fast line of chatter with various onlookers. I nearly fainted after having stood virtually motionless for 50 minutes-during which the artist completed one painting and then, to my horror, tore it up and began another-but when it was over, Dufy rewarded me with a good snifter of brandy...
...Toronto, radio station CHUM daringly dropped all its western serials, quiz programs and disk jockeys, to concentrate on "melodic" music and news. Explained Program Director Mrs. Leigh Lee: "We think there is a big audience that is sick to death of too much disk-jockey chatter. No one cares a damn that Eddie Fisher was wearing pajamas when he cut this disk, or that Hugo Winterhalter broke three fingers while conducting a number. By playing purely music we may bring back that lost audience...
...museum piece that was being gently spoofed. But the spoofing, unfortunately, came off only at moments: for the most part the play, however rife with crime, merely swirled with inaction. It was lavishly produced. As Irene Adler, Metropolitan Soprano Jarmila Novotna warbled arias; there was much social chatter, much wearing of evening dress, many period fripperies and titled ladies with pasts. As much as anything else, it seemed like a tedious drawing-room play, with a dead body in place of a butler...