Word: che
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...Castro hoped to export revolution to all of Latin America. Indeed, twelve governments have accused him of exporting subversion and supplying arms to guerrillas in their countries; nowhere did he score a real success. In 1967, his dream of victory was punctured by the Bolivian army bullets that killed Che Guevara, his longtime aide and strategist. In the wake of Che's death, Fidel slowed down his revolutionary activity, and his threat to Latin America began to wane. One reason was that local Communists regarded Castro as a competitor and did not help his guerrillas. Also, Russia was not sympathetic...
...regarded as a thinker," Chiaramonte says, "but as a father image he is very much present. The older generation of Marxists remains influenced by Marxist thought, the last philosophy with a consistent system. But youth is moved by Marx's call to action. Castro's Cuba and Che Guevara conjure up a romantic image...
...Revolt and revolution both wind up at the same crossroads," wrote Albert Camus. "The police, or folly." The men who made Che chose folly. As Scenarists Michael Wilson and Sy Bartlett saw it, the Cuban revolution was just a Caribbean comic strip drawn in that country's green and peasant land. Its luminaries, Che Guevara (Omar Sharif) and Fidel Castro (Jack Palance) are Batman and Robin in fatigues. Che formulates the plans with a marvelously worldly wisdom, Fidel dimly grins; all that is missing is a light bulb over his head. When Guevara decides to aim nuclear missiles...
...appearance, Sharif is astonishingly similar to Che, and Palance's broken-nosed, cigar-chomping cobra is as close to Castro as any American is likely to get. It is a pity that the actors could not grow insight or force along with their beards. Palance's circular hand motions and staccato vocalizing recall Cagney rather than Castro. Sharif's acting is not lively enough to be considered passive; his revolutionary ardor is expressed by a narrowing or widening of his large, liquid eyes...
...England importer of foreign cultures. Lowell the poet has not only the chameleon's ability to change the color of his verse to fit the subject but that wizard lizard's faculty of independently focusing each eye. The left Lowell eye may be modishly on the topical-Che Guevara, police, R.F.K., student riots, Dr. Spock. But the right eye glints backwards to Agamemnon, Sir Thomas More, Napoleon, King David, Adam. "I am learning to live in history," Lowell writes and adds, as his chameleon's tongue flicks out to ingest another aphorism: "What is history? What...