Word: cheap
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Dates: during 1950-1959
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...Fire. What has kept Torroja largely unknown is that most of his work is to be seen only in Spain. But the very fact that Spain is woefully short on steel supplied the driving force behind Torroja's exploration of concrete as a material that could be both cheap and strong. The son of a Catalan mathematics professor, Torroja trained as an engineer at Madrid University, then worked for five years as a contractor before finally deciding that "the structure of concrete cannot be figured mathematically-it is much stronger than the mathematician can prove...
...prime example of how private enterprise can help a developing country get set for such a bold jump, the Kaiser Industries Corp. circulated an ambitious (3 Ibs.) blueprint for building a major aluminum industry from Ghana's two abundant, untapped resources: red bauxite (aluminum ore) and cheap water power. So enthusiastic was Ghana that it started work immediately on the $600 million project. To Kaiser went the first contract-$3,000,000 for site-clearing and design work...
Love Is My Profession (Raoul J. Levy; Kingsley International) is easily the peep-showiest, cheap-thrillingest of all the Brigitte Bardot pictures-and probably the best. Topnotch Whodunit Writer Georges Simenon furnished the novel (En Cas de Malheur) on which the film is based. Jean Gabin was hired to top the title. Actress Bardot was signed to bring up the rear in the box-office battle. And the slickest of the big French directors, Claude Autant-Lara (Devil in the Flesh, Rouge et Noir), has contrived to combine all these expensive, volatile elements into a smutty story that is technically...
Tempest (DeLaurentiis; Paramount), billed as "an overwhelming human storm," is all too obviously just a gigantic blast of hot air. Tempest rages for more than two hours, probably cost more than $3,000,000 to produce-even though most of the big scenes were shot on the cheap in Yugoslavia. More than 3,000 Yugoslav peasants and some 4,500 cavalrymen of the Yugoslav army are employed as camera fodder. To top it off, nine big names (Silvana Mangano, Van Heflin, Viveca Lindfors, Geoffrey Horne, Oscar Homolka, Agnes Moorehead, Helmut Dantine, Finlay Currie, Vittorio Gassman) have been stacked...
...series of plays they presented during their brief tenure at the Wilbur were, at very least considerably more interesting than those that occupied the crowded Shubert across the street. The Repertory promised--and provided--what theatrical experts had been demanding for years: an opportunity for rich and poor and cheap and lavish and ignorant and learned alike to go to the theatre, often and conveniently, to see good plays well acted, almost, perhaps, the way they drop down to Washington Street to see bad movies barely acted...