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Word: cheeked (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...caught up is the picture in its own hysteria, that it overlooks the fact that the pastor never fights. Not once did he even strike a strom trooper. Not once did he exhort his parishioners to do so. He is the "turn-the-other-cheek" type of Christian. Yet Jimmy Roosevelt ('37) tries to transmute this inspiring figure into a little tin Christ. If it weren't so ominous, we could afford to laugh...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 11/29/1940 | See Source »

Besides the jokes, Miss Hughes' only other criticism falls on Sir Toby Belch and Sir Andrew Ague cheek who hardly exploited "the robust comedy elements of the play" I take it that Miss Hughes feels badly that the lines did not crackle like those, say, out of "Panama Hattie." I don't think Shakespeare meant them to. Toby's humor is more mellow than witty. It belongs, just as he does, to old and merry England...

Author: By Lawrence Lader, | Title: THE PLAYGOER | 10/28/1940 | See Source »

Most U. S. schoolboys have goggled at museum collections of armor, swords, muskets, pistols. Few museum arms displays are calculated to stir the imaginations of adults. But last week, Leslie Cheek, imaginative director of the Baltimore Museum of Art, put on a vivid show called "Again: Arms & Armor...

Author: /time Magazine | Title: Art: What a Pastime | 10/14/1940 | See Source »

Stephen V. Grancsay, curator of arms & armor at Manhattan's Metropolitan Museum (which has the biggest U. S. public collection), helped Director Cheek install his show. To the press, Armor-Lover Grancsay declared that body armor for civilians was the coming thing. (On exhibit was a contemporary armor suit, apparently not yet in use.) Said he: "Mass production could turn them out at less than $100. Just figure up what it now costs the Government to provide hospital care for the thousands who are injured. Armor would be less expensive." Curator Grancsay recalled that Cellini, da Vinci...

Author: /time Magazine | Title: Art: What a Pastime | 10/14/1940 | See Source »

...documented Grauman's forecourt with their hand and footprints. It remained for Barrymore to lend his famous profile to the wet concrete (by way of plaster cast), oblige pressmen by pretending to put his face in it. Heckled by unsatisfied photographers, he dipped his classic nose, a timid cheek, more of the profile when Sid Grauman, still unsatisfied, sneaked up from behind and bore down (see cut). Bedaubed & bewildered, Barrymore cursed, was still digging concrete from his ear when he left...

Author: /time Magazine | Title: People, Sep. 16, 1940 | 9/16/1940 | See Source »

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