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...screechy vocal breakdown à la Born Against’s “I am an Idiot.” This trend crops up again, but reversed, in track three—starting out with the intense cathartic vocals and then slowing down to a poppy, tongue-in-cheek spoken word number that suggests a disempowerment far removed from the agency implied by the previous spirited rocking-out: “I only want to be attractive ‘coz I want to attract you/and I wish I were thin/goddamn this body, so fat and crude/and I wish...

Author: By Jim Fingal, CONTRIBUTING WRITER | Title: New Music: Sweetheart | 3/10/2005 | See Source »

With chic cheek-bones, a jawline that could slice bologna and a warm voice that could go shrill in odd moments, Carole Lombard was perfect casting for this 1934 romp, directed by Howard Hawks, about a Broadway director (John Barrymore in all his spuming comic majesty) and the actress who was his protege and is now his career lifeline. The film was a career maker for Lombard, who died in a plane crash...

Author: /time Magazine | Title: DVDs: 6 Diva DVDs Worth Your Time | 2/27/2005 | See Source »

...grown weary of his rock-star antics--in January during a play-off win against the Packers, Moss pretended to drop his pants and moon the Green Bay crowd (the fans are known for mooning the buses of opposing teams). Maybe he was just trying to turn the other cheek...

Author: /time Magazine | Title: Moss Sprouts New Roots | 2/27/2005 | See Source »

...musical reference points aren’t the best way to describe what makes Meloy’s songs so indelible. More than anything else, Meloy is like a musical version of writer/publisher Dave Eggers and much of the McSweeney’s coterie, effortlessly blending wry tongue-in-cheek humor with genuinely-felt storytelling...

Author: By Abe J. Riesman, CONTRIBUTING WRITER | Title: Meloy Was Meant for the Stage | 2/24/2005 | See Source »

This confidence shone throughout Buswell’s chamber music recital at NEC’s Jordan Hall last Sunday night, which I and many other of his students attended. His ambitious and eclectic program, which included Stravinsky’s tongue-in-cheek Duo Concertante for Violin and Piano, Mendelssohn’s angst-ridden Piano Trio in C-Minor, Enesco’s Sonata No. 2, and Beethoven’s fiery Sonata No. 7, never showed a hint of musical timidity. Buswell first chose the Enesco, a lesser-known piece, and later added the other three works...

Author: By Jennifer D. Chang, CONTRIBUTING WRITER | Title: Student Reflects on Professor's Life, Music | 2/24/2005 | See Source »

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