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...best work. In 1934, Fred Astaire and the "Top Hat" production team gathered to hear the numbers Berlin had written for the movie. "And then he would sing the song," Hermes Pan, Astaire's choreographer, told Bergreen, "and we were all asking ourselves, Is this any good? I remember 'Cheek to Cheek' especially: the way he sang and played, it sounded so awful...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...Berlin never topped the work he did for Astaire on three 30s film musicals; neither did anyone else. The 13 Berlin songs Astaire sang and recorded from "Top Hat," "Follow the Fleet" and "Carefree" all landed in the pop charts' top 15. Three ("Cheek to Cheek," "I'm Putting All My Eggs in One Basket," "Change Partners") got to #1. Two others ("Top Hat, White Tie and Tails," "Let Yourself Go") hit #2. "Isn't This a Lovely Day" reached #3. And all have lingered like a perfume that never goes stale. The range and artistry, the vigor and virtuosity...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...years ago, when TIME's editors were choosing "the" song of the 20th century, my suggestion was "Cheek to Cheek" - a dance-and-romance tune composed in an ambitious, 64-bar structure. Berlin pitched it smartly to Astaire's frail but persuasive tenor voice; for example, in the phrase "And my heart beats so that I can hardly speak," the melody zigzags up to a note Astaire can hardly sing. The song's daring swings of rhythm and emotion consecutively express three moods of a lover in pursuit - bliss ("Heaven, I'm in heaven"), jauntiness ("Oh, I love to climb...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...heard Gershwin play with syncopation in "Fascinatin' Rhythm," then executed his own elaborate, fairly daring ricochet rhythms in "Puttin' on the Ritz," "Monkey Doodle Doo" and "Everybody Step." Profligate with melody, he tossed extra bridges into "Doin' What Comes Natur'lly" and his longest (64-bar), finest construction, "Cheek to Cheek." The strange chord shift in bridge to "You're Laughing at Me" has endeared the song to jazzmen...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...Dreams Swollen Members Swollen Members—it sounds like it might be a Tenacious D-esque musical comedy team. Yet, while their name (which the band claims was decided upon while drunk, munching at a Denny’s late-night) exudes an adolescent tongue-in-cheek wit, the content of their second album, Bad Dreams, is more substantial than the band’s name suggests...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

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