Word: cheeks
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Dates: during 1980-1989
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...compared with 152 only seven years ago. "I worry about the consumer being overwhelmed by the selection," says Joseph Doyle, an analyst with the Wall Street firm of Smith Barney, Harris Upham & Co. Notes John Bergin, president of the McCann-Erickson/USA advertising agency, with tongue firmly planted in cheek: "We certainly are quenching the thirst needs of Americans...
...same way, Chia alludes to De Chirico (not the prewar master of strange, oneiric cityscapes, but the De Chirico of the 1930s, with his kitschy antique pretensions) and, more reconditely, to the paintings of De Chirico's brother, who took the name Alberto Savinio. With tongue in cheek, Chia has assembled a whole secondhand wardrobe of classical nostalgia: a painting like Figures with Flag and Flute, 1983, with its bearded sage listening to the pipings of a young musician amid the rubble of some temple, thus manages to be both knowing and undemanding. It evokes complicity; artist and viewer...
...runway and storms the backstage area, offering kisses, hugs and congrats. The press often gets in on the act too. Although it is difficult to imagine any member of the New York Drama Critics Circle jumping onstage to plant a big wet one on Carol Channing's cheek at opening-night curtain call, this sort of thing happens with regularity in the theater of fashion. After the show, fans review the designers with the kind of blurbs that usually run in block letters in movie ads. Lagerfeld was tops, Ferre was a knockout, Armani's still the master...
...camera loves Nastassia Kinski. Every feature of her young body comes to life before its lens. The wide, gray-green eyes send out satellite signals of precocity or perversity. The dewy skin holds, on the left cheek, a tiny scar, like a bookmark in a turbulent autobiography. The lips, extravagantly full, can pout or preen or tauten resolutely or open in an elfin smile. The long Botticelli neck carries the eye to a strange and strong body, with delicate breasts, expressive musculature and the strong haunches of a peasant girl or a centaur. Kinski is a true camera animal because...
...charming young actors find a way to twist or energize the clichés. You can catch a glisten of moisture in the eye of an "easy," misused girl who's too proud to cry; or contemplate Jill's half-embarrassed smile when she goes dancing cheek to Sheik; or fall in with the gliding camera that circles the young lovers during their first sexy kiss. Sayles is, as always, wise and fair to his mismatched characters. His movies look as if they were made by a fly on the wall that had an advanced degree in psychology...