Word: cheerful
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Dates: during 2000-2009
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DIED. Lincoln Theodore Perry (stage name: Stepin Fetchit), 83, black comedian who, adopting the name of a horse he had won money on, played a gentle, shuffling, eye-rolling subservient in movies of the 1920s and '30s (Show Boat, Stand Up and Cheer); of congestive heart failure and pneumonia; in Woodland Hills, Calif. When a 1968 TV documentary accused Stepin Fetchit of popularizing the stereotype of the lazy Negro, Perry brought an unsuccessful $3 million defamation suit. "I had to defy a law that said Negroes were supposed to be inferior," he said. "I was a star--the first Negro...
...York City premiere) is to be charmed into suspending awareness of the depressing trajectory of British life since then. The succeeding films follow that arc; they might be called 14 Perpendicular, 21 Tilt and 28 Down. Taken individually, the interviews have their flashes of cheer and wit. But in sum they suggest accommodation to life's dreary compromises at an age when one might hope for a lingering anarchic impudence. The 28-ers do not strut or rage or tease; they seem already middleaged, emotionally pinched, too cautious to hope for more. They speak Britain's defeat in every tentative...
...emotional reactions discouraged. The funny thing is, you know how to play the best when you can no longer play at all. Even watching games now, the emotions of football flow through me, but I'm still in my mind a thinking football player. People around me boo and cheer and really don't understand." When no penalty befell Lambert, the Steelers soared, the Cowboys slumped. It struck Harris as a betrayal of ideals, and yet he was consolable later. "You have something to look forward to only if you do lose. After one that we won, I looked over...
...Machinery Co. Peter J. Nord, president of Schauer Manufacturing Corp. in Cincinnati, which makes battery-charging machines, drew loud applause by declaring, "There are going to be people who are dumb and stupid and screw up no matter what we do." Ohio Democratic Congressman Thomas Luken showed up to cheer on the manufacturers. Said he: "Probably no recent issue has snowballed so quickly...
This may be hard ground for the audience that loves to cheer the lump out of its throat at the end of a movie. But for actors, it is the high ground. There is a ferocity in Cruise's flakiness that he has not previously had a chance to tap. That, in turn, gives Newman something to grapple with. There is a sort of contained rage in his work that he has never found before, and it carries him beyond the bounds of image, the movie beyond the bounds of genre. --By Richard Schickel