Word: chekhov
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...Johnson ’09, and Simon J. Williams ’09. Produced by Margaret M. Wang ’09, Barry A. Shafrin ’09, and Zach B. Sniderman ’09, the performance featured works by the playwrights David Ives, Tom Stoppard, Anton Chekhov, and Alan Bennett. Each play was presented in a straightforward manner, without any nonsensical or superfluous elements added to a production for the sake of being “original.” The evening began with the one play that could have benefited from a bit of creative tinkering...
...visual arts, but Harvard is not one of them. When Dramatic Arts 10, Harvard’s beginning acting class, had its first session on Sept. 19, about 60 students showed up to audition for one of the 16 spaces in the class. The audition pieces, by Anton Chekhov and Arthur Miller, were not easy monologues to delve into, especially for someone with no theater experience. Although it was nominally a beginning-level class, the students auditioning for the class included many who had performed lead roles in past Harvard-Radcliffe Dramatic Club (HRDC) productions—not beginners...
...often dramatically shift moods with little or no cause. The middle sister Masha (Molly Ward) especially exaggerates her small joys and sorrows. Such stylized acting, along with the dramatic lighting that illuminates much of the play, creates a sense of fantastic strangeness that contrasts with the traditional perception of Chekhov as a realist. Although the choice to stylize the text in this way is interesting, the embellishments can become so far-fetched that the work becomes inaccessible. At these times, Lupa seems more interested in seeing how far he can stretch the work in absurdist directions than in carefully coaxing...
...Verleih uns Frieden,” and Haydn’s “Te Deum.” Sanders Theatre. 8 p.m. Tickets available through the Harvard Box Office, (617) 496-2222. $16/12 general admission, $12/8 students. (AMF)Three Sisters. Through Jan. 1. This timeless Chekhov play, translated by Paul Schmidt and directed by Krystian Lupa, explores the significance of everday tragedies. Loeb Drama Center. 8 p.m. Tickets available through the Harvard Box Office, (617) 496-2222. $37-$74 general admission with group, student, and senior citizen discounts available. (AMF)ExhibitsThird Annual “Faces of Cambridge?...
...mosaic. With “Inheritance” optioned for Hollywood, Chang has stayed busy writing and spending time at Harvard, where her classes are focused on the creative writing process. In English Crr.: “Beginning Fiction,” she emphasizes the stories of writers like Chekhov and Joyce before focusing on student work. The seminar environment allows Chang to work closely with students, a vantage that the author “enjoys enormously.”And though Chang will undoubtedly miss many of these students, she eagerly looks forward to beginning her new directorial position...