Word: chekhovians
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...listed for the Man Booker Prize. Mohammed Hanif's 2008 novel A Case of Exploding Mangoes, based on the 1988 plane crash that killed General Zia ul-Haq, was a finalist for the Guardian first-book award. And Daniyal Mueenuddin's superb In Other Rooms, Other Wonders, a sage, Chekhovian collection of tales set in rural Punjab, has been wowing critics since publication in February. Ali Sethi's hefty novel The Wish Maker, set mostly in Lahore during the 1990s and early 2000s, is also certain to keep the critics talking...
...director Trevor Nunn is teasing out the nuances in A Little Night Music, Sondheim's 1973 adaptation of the Ingmar Bergman film Smiles of a Summer Night. Often performed as a light soufflé of a show, Nunn has turned the musical, which runs until July 25, into a Chekhovian meditation on desire and death. (See pictures of London...
...stirred by the revival that has received the most resounding critical huzzahs of the fall, the London Royal Court theatre's production of Chekhov's The Seagull. Kristin Scott Thomas is the biggest star name in this one, and as Arkadina, the aging actress around whom revolves a typically Chekhovian slice of unhappy provincial life, she's just fine, if somewhat less the diva than I imagine Arkadina on the page. Indeed, the whole cast deserves high grades (though Peter Sarsgaard, an American ringer among the Brits, brings down the curve a bit). What bothered me was the fussy...
...coveted prize for playwriting in Spain, and reviews of the play are due out this week. However, despite the audience’s positive reaction, the 30-year-old Rodríguez was slightly disappointed with the performance.“I would say that it was a Chekhovian disappointment. In his stories, Chekhov always exposes men and women who are imagining and expecting something very important for them to come,” Rodríguez says. “They picture it so ideally that when the moment arrives, it is a big disappointment. But I am very...
...reunite with her long lost love. What ensues is absurd, intricate, and absolute unforgettable. The book is simultaneously a fairy tale, an epic, a religious allegory, a political satire, and, primarily, a harrowing romance. Yet, despite it’s amalgam of genres, it always maintains a riveting, almost Chekhovian balance between the hilarious and the tragic. For a book that Bulgakov began writing in 1928, only to be published posthumously in a heavily censored 1966 edition, the book still feels vibrant and relevant today. Harvard students, living in a relatively atheistic—or, at best, agnostic?...