Word: chekhovs
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Like all of Chekhov, The Three Sisters is open to several interpretations, but to make it insipid, boring and silly requires Ball's gall as well as his company's ineptitude. As the guest director of Georges Feydeau's A Flea in Her Ear, Gower Champion manages to intrude defects on the play that it never possessed. Feydeau was to the French bedroom farce what Einstein was to the theory of relativity. With gimmicks and gaucherie, Champion botches all of Feydeau's intricately precise equations of who-is-sleeping-with-whom-be-hind-which-door...
...Rossellini and De Sica. Yet Olmi's films seem more precise, more tightly constructed, more acute. He has a film maker's sense of composition and a novelist's sense of rhythm and construction. The plot of One Fine Day is much like an anecdote by Chekhov. A middle-aged Milanese advertising executive (Brunette Del Vita) has led a smug and comfortable life of reasonable success with his job, with his family and his women. Two intimations of death destroy this placid equilibrium: a colleague is stricken with a heart attack at a staff meeting...
This year the Harvard Dramatic Club will do three plays at the Loeb during the fall term: Williams' Cat on a Hot Tin Roof, Chekhov's Three Sisters, and John Bowen's After the Rain (a sort of parable play that was a critical success and audience bomb in London and New York). Are you thrilled? Even if they are great productions, are you going to go? I doubt it. You are not going to go, because, unless you are a real theatre enthusiast, you have either no interest in seeing any of these plays in any form...
This same friend assured me that we could at least expect something different from Leland Moss, who will direct The Three Sisters. Moss evidently will strip the Chekhov work down to the essentials, freeing the play of such trappings as sets and costumes. So if you want to see The Three Sisters -surely the most frequently performed Chekhov play in this country-the Moss production might be a good thing...
UNCLE VANYA, another Chekhov favorite, will be staged by Harold Clurman with a cast that includes Richard Basehart, Joseph Wiseman, Ruth McDevitt and Pamela Tiffin, at the Mark Taper Forum, Los Angeles...