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...situation that would have greatly amused the Russian-Jewish short-short-story writer whose work exemplifies Pushkin's golden rule that "precision and brevity are the prime qualities of prose." As a writer who could be economical without sacrificing impact, Babel compares favorably with Chekhov. Even Hemingway, one of the most ruthless wringers of prose, conceded that Babel could "clot the curds" better than he could...

Author: /time Magazine | Title: Books: Too Silent for Stalin | 8/1/1969 | See Source »

...About Nothing is directed by London's Peter Gill in his American debut; Henry V has Len Cariou in the title role; while Hamlet is a stunning full-length version with Brian Bedford as the prince, Maria Tucci as Ophelia and Morris Carnovsky as Polonius. For variety, Chekhov makes a premier appearance at this festival in a supple staging of The Three Sisters...

Author: /time Magazine | Title: Television: Jul. 11, 1969 | 7/11/1969 | See Source »

...Note--"Henry V" continues' through early September in alternation with "Much Ado About Nothing" and "Hamlet," and will be joined in late July by Chekhov's "The Three Sister." The other productions will be reviewed in subsequent issues. The drive to the picturesque Festival grounds on the Housatonic River takes about two and a half hours via the Massachusetts Turnpike, Interstate 91, and the Connecticut Turnpike to Exit 32 or 31. Performances in the air-conditioned Festival Theatre traditionally tend to begin most promptly at their designated hour. There are free facilities for picnickers on the premises...

Author: By Caldwell Titcomb, | Title: Anti-War 'Henry V' Is Fascinating Failure | 6/30/1969 | See Source »

...Russia's Shakespeare does not travel well. Chekhov and Tolstoy are read and loved elsewhere. But most Western readers, confronted by examples of Pushkin's genius, can only nod politely-or, in the case of the worst translations...

Author: /time Magazine | Title: Books: The Cloak of Genius | 2/21/1969 | See Source »

...itself affectedly in secondhand French elegance. In such superb tales as The Queen of Spades and The Captain's Daughter, Pushkin fashioned a new native style-spare, exact, free of rhetorical flourish-which set the tone for the epic prose era that was to follow, from Gogol to Chekhov. In rich, full-blooded dramas like Boris Gudunov, he helped to free the Russian stage from its prim, Racine-engendered formalities. Poems like Ruslan and Liudmila, Memory and The Bronze Horseman grandly exploded the prevailing notion of the day that poetry should be either didactic or sentimental. "Good lord," said...

Author: /time Magazine | Title: Books: The Cloak of Genius | 2/21/1969 | See Source »

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