Word: chelsom
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...voiceover tells us at the outset, “In a country where married couples don’t go out arm in arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...
...voiceover tells us at the outset, “In a country where married couples don’t go out arm in arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...
...voiceover tells us at the outset, “In a country where married couples don’t go out arm in arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...
...voiceover tells us at the outset, “In a country where married couples don’t go out arm in arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel. Nevertheless, it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...
...voiceover tells us at the outset, “In a country where married couples don’t go out arm in arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...