Word: cheryle
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...baby was Cheryl Lynn Labrenz, seven days old. Her red blood cells were being destroyed because her blood, like her father's, contained the mysterious Rh (for rhesus) factor and her mother's did not. From her mother, Cheryl's blood had picked up an antibody which was attacking her own Rh-positive cells. These could win the battle only if reinforced by a transfusion...
...second row facing Judge Robert Dunne sat Cheryl's parents, Darrell Labrenz, 25, and his wife Rhoda, 20. They had been childhood sweethearts at Dalton (pop. 400) in Wisconsin's dairyland. Little more than a year ago, they joined Jehovah's Witnesses and moved to Chicago with their first child, Kit. (As often happens in cases of Rh incompatibility, there had been no difficulty with the first-born.) Now, red-eyed and distraught, each with a Bible in hand, they fought off the city health authorities...
Judge Dunne was more impressed by the medical evidence. He promptly ordered Cheryl Labrenz put under the guardianship of a court official (because of the parents' technical neglect). The guardian at once authorized transfusions. The apparatus had been set up in advance at Michael Reese Hospital. Not a minute was wasted in giving Baby Cheryl 60 ccs of blood. Within 48 hours, her red blood cells seemed to be winning the battle, and the doctors were confident that her life had been saved...
...tour of this play, is chartered by the Congress of the United States under Public Law 199. Its purpose is the "sponsorship and implementation of various types of theatre activity" in this country. Congress gave ANTA everything but an appropriation. The officers of ANTA, including Helen Hayes, Cheryl Crawford, and Vinton Freedley '14, have managed by means of private fund-raising, to make the group more than a name. A series of fine revivals on Broadway this year, including "Twentieth Century," has given ANTA needed publicity. Jouvet's tour, which has reached four American and Canadian cities, broadens ANTA...
...Rose Tattoo (by Tennessee Williams; produced by Cheryl Crawford) is laid, like most Tennessee Williams plays, in the South-in a village on the Gulf Coast. But its characters are rowdy Sicilian immigrants, and its tenor is life-loving and affirmative. Playwright Williams has cast off unnaturalism for primitivism, neurosis for fulfillment, the genteel nymphomaniac for the savage one-man woman. But though he has reversed his basic theme, introduced some livelier and trashier tunes, trilled a bit less and banged more, Williams has never seemed so blatantly himself...