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...scores, and one landed among the state's best performers. The longer year is so popular, reports principal JoAnn Bester Clay, that some parents and children want to abolish summer break. "I don't have a real vacation, since all I do is sit home," says sixth-grader La'Chet Henderson. "This gives me something...

Author: /time Magazine | Title: Summertime and School Isn't Easy | 7/31/2000 | See Source »

...with the boy. He believes not in inspired improvisation, as the book's Ripley does, but in studying hard. In the movie, Tom's plotting has the calculation of a Bach fugue; Dickie's avocation is playing jazz saxophone instead of painting, and he loves the dangerous freedom of Chet Baker and Charlie Parker. As played by Law, Dickie oozes a reckless sensuality, turning the beam on and off at will, indulging Marge's love while he stealthily impregnates an Italian woman. In a movie that ups the sexual octane of the book, Tom's interest in Dickie is explicitly...

Author: /time Magazine | Title: Cinema: Can Matt Play Ripley's Game? | 12/27/1999 | See Source »

...film evokes late '50s psychodrama with more precision than it has any right to. The music alone, a collection of some of the coolest cool-cat classics of the period, captures that legendary moment when you were more likely to spot Chet Baker in a Naples jazz club than an upstate prison sickroom. The movie probably won't make any top-ten lists this winter--it's good, but it's not quite that deep--but I'll be damned if it doesn't have the wittiest opening credit sequence of the year. It's a not-so-subtle allusion...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Doom with a View -- Sexual Confusion! Serial Muder! All in the life of The Talented Mr.Ripley | 12/17/1999 | See Source »

There are those (this critic included) who never really got Chet Baker as a singer. Instead of sounding soulful and vulnerably awkward, his voice struck some as sounding soulful but off-key, like Mel Torme's crossed with, say, yours. So here's a Chet Baker album for those who don't like Chet Baker, recorded at a 1983 live date in Norway. It's Getz's gig, but Baker shines, singing with an unaccustomed force and levity; on Just Friends he scats nimbly too. His trumpet and Getz's tenor sax are also in top form; these relaxed, lyrical...

Author: /time Magazine | Title: Music: Quintessence, Volume 1 | 2/1/1999 | See Source »

Reinking also co-directed and co-choreographed Fosse, although she had plenty of help. Richard Maltby Jr., who created Ain't Misbehavin', was largely responsible for shaping the production and is billed as its director, while Chet Walker "re-created" the choreography. All three share credit for having "conceived" the show, which originated five years ago in a series of classes on Fosse's dance style taught by Walker and Gwen Verdon, Fosse's ex-wife and the original star of many of his most successful shows (Sweet Charity, Chicago). Exactly who did exactly what will surely be the subject...

Author: /time Magazine | Title: Theater: Seamy and Steamy | 1/25/1999 | See Source »

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