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...more than a curiosity, however, Ma Nuit Chez Maud achieves its power through an aesthetic structure vastly more engaging than mere portraiture. Its first-person narrative frame forces you to share the experience of Jean-Louis (Jean-Louis Trintignant) through his visual point of view (also brief interior monologues), subtly builds up a tension between your sensibility and your experience of his, and finally forces a dialectical confrontation in sequence after sequence with the ultimately desirable Maud (Francoise Fabian), where his choices directly thwart your inclinations to act through him. Rohmer uses this audience identification with the human reality...

Author: By Jim Crawford, | Title: Film Ma Nuit Chez Maud at the Orson Welles beginning tonight | 11/4/1970 | See Source »

Early in the 1960s, Quebec's Premier Jean Lesage vowed to make Quebeckers the maîtres chez nous (masters in our own house) within the Federation. By 1968, René Lévesque, once a member of Lesage's Cabinet, helped found the Parti Québecois, which demanded political separation from Canada. Last spring, Lévesque's party won 24% of Quebec's vote in provincial elections...

Author: /time Magazine | Title: World: Two Separatist Strands | 10/26/1970 | See Source »

...ever, screened in the Boston area. Definite booking has already been made for Glauber Rocha's "Antonio das Mortes" and "Black God, White Devil," Jean Marie Straub's "The Chronicle of Anna Magdelena Bach," and Bertolucci's "The Partner." There is also a possibility that Rohmer's "Ma Nuit Chez Maud" will be screened...

Author: By R. CRAIG Unger, | Title: Treading the Waters of Hip Captalism or Serving the People at the Orson Welles | 10/14/1970 | See Source »

Yves Montand is perfect as Z's charismatic hero. Coutard's camera heightens his magnetism. Irene Pappas is, of course, magnificent as Lambrakis' widow. Her facial expressions speak for her suffering. Jean-Louis Tritignant ( A Man and a Woman, Ma Nuit Chez Maud ) plays the judge whose investigation, along with that of a crusading young journalist, exposes the fascists...

Author: By Theodore Sedgwick, | Title: The Moviegoer Z at Exeter St. Theatre indefinitely | 1/23/1970 | See Source »

Still, Z is a powerful document of our political world. And one can only marvel at the screen personalities of Montand and Irene Papas-and the acting of Jean-Louis Trintignant (who with Z, Les Biches, and Rehmer's Ma Nuit Chez Mand proves himself one of the best French actors) and Charles Denner (even more impassioned than...

Author: By Frank Rich, | Title: The Moviegoer Ten Best Films of 1969 | 1/9/1970 | See Source »

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