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...York, the overblown parodies of Italy's Sandro Chia...

Author: /time Magazine | Title: Art: Doing History as Light Opera | 5/16/1983 | See Source »

...offspring, or some of them, at the Guggenheim Museum. "Italian Art Now: An American Perspective" is the latest in the Guggenheim's discursive series of "sample shows" of the current art of different nations. It covers the work of seven artists: three painters (Sandro Chia, Enzo Cucchi, Nino Longobardi), two sculptors (Giuseppe Penone and Gilberto Zorio) and two conceptual/per formance artists (Luigi Ontani and Vettor Pisani). Most of these men are in their 30s, and Pisani, the oldest...

Author: /time Magazine | Title: Art: Wild Pets, Tame Pastiche | 4/26/1982 | See Source »

...best-known artists on view, at least to American eyes, are Chia and Cucchi, both of whom are hotly pursued by collectors here and abroad. One can see why Chia, 36, has a following. It is hard either to dislike his work (it is too educated and, often, too funny for that) or be really moved by it (for the same reasons). It is ideal decor for the early '80s, revivalism tempered by well-placed clues of irony. It is chic, like a Fendi fur with metaphysical yearnings. Chia can run up a good-looking, hyperactive surface-all those...

Author: /time Magazine | Title: Art: Wild Pets, Tame Pastiche | 4/26/1982 | See Source »

...Chia's bulgy operatic figures pose like Michelangelos and flourish their tiny daggers at frantic women. He will take a tourist postcard view of the Grotta Azzurra in Capri, render it big, add a floating Chagall girl upside down, add a few written phrases in the manner of '20s Mird, and title the whole pasticcio thus: In Strange and Gloomy Waters If a White Dot Shines If a Child Jumps I Will Approach Her Flight, 1979. Chia's visions may not be very deep, but nobody could accuse him of having a defective swizzle stick...

Author: /time Magazine | Title: Art: Wild Pets, Tame Pastiche | 4/26/1982 | See Source »

...selling Europeans to Americans; beneath all the excited talk of how American cultural imperialism has at last been rejected, and how national artists in Germany or Italy dominate the cultural horizon, the same mechanisms of the market grind imperturbably on. Last year it was young Italian artists-Cucchi, Chia, Clemente; this year, Germans...

Author: /time Magazine | Title: Art: Upending the New German Chic | 1/11/1982 | See Source »

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