Word: chiaro
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Dates: during 1870-1879
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...striking contrast. Rembrandt has been called subjective in his method of seeing and representing things, while Durer is plainly objective. Rembrandt often chooses a scene, not because it strikes him as particularly worthy of representation, but because it will allow him to apply in some striking manner his favorite chiaro-oscuro, - witness "The Flight into Egypt," - while Durer has in his mind solely the object as he sees it. Durer is continually struggling to express "the truth, the whole truth, and nothing but the truth." This is nowhere plainer than in the delicate flowers which, in his portrait of Erasmus...
Having found some fault with Rembrandt, no fuller reparation can be made than by turning our attention to the world-renowned Hundred Guilder piece. Here Rembrandt makes himself immortal, and uses his chiaro-oscuro in a most effective manner. Professor Lubke has called Rembrandt, as compared with Vandyck or Rubens, a demagogue. This may be admitted, unless the bad sense of demagogue is too much insisted upon. It was most natural for Rembrandt, who lived and died in Holland, to depict what he had before him, and that was a government by the people. In this truly superb impression...
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