Word: chicago
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Dates: during 2000-2009
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...originally published version of this story it was incorrectly stated that the most recent annual meeting of the American Society of Anesthesiologists took place in Chicago. In fact, the meeting took place in New Orleans...
Unless you're a musical or an import from London, you'd better have a Chicago accent to make it in the Big Apple this season. The second major play to open on Broadway this fall is another Chicago product: Superior Donuts, Tracy Letts' follow-up to August: Osage County, his multi-award-winning family drama that stormed Broadway nearly two years ago and is now on a national tour. Chicago theater's most celebrated export, David Mamet, will be represented on Broadway with two works this fall: a revival of his 1992 drama Oleanna and a new play, about...
...Chicago, of course, has been a major force in American theater for some years. The Steppenwolf Theatre burst on the national scene in the 1980s, introducing plays by Mamet, Sam Shepard and others, popularizing a high-voltage performance style and spawning stars like John Malkovich and Gary Sinise. The city's biggest resident theater, the Goodman, has produced everything from major revivals of Eugene O'Neill and Arthur Miller to last year's Pulitzer Prize winner, Ruined by Lynn Nottage, while a growing roster of smaller off-Loop theaters have nurtured experimental works like 2007's critically acclaimed musical version...
...play that attracted Craig and Jackman is a deceptively modest piece: a 90-minute two-hander in which the British and Australian actors play (flawlessly) a pair of Chicago cops who recount, in alternating monologues, a harrowing chain of events that tears their lifelong friendship apart. The material is familiar to streetwise fans of Hollywood crime films and TV cop shows--the prostitutes and lowlifes, shocking violence and moral compromises faced by cops who patrol the urban jungle. But Huff's vivid, intricately layered script--a mix of straight narration, interlaced commentary and re-created scenes--lifts it far above...
Huff's play outshines the two other Chicago offerings that have opened so far this fall: Letts' Superior Donuts, a relatively formulaic comedy-drama about a crusty inner-city doughnut-shop owner and the black kid who comes to work for him, and Oleanna, Mamet's scathing account of a bogus sexual-harassment charge that was too polemically freighted back in 1992 and has the added disadvantage of seeming dated today. But collectively, they showcase much of what makes Chicago theater so distinct and vital. The City of Big Shoulders produces big-shouldered theater as well--thematically ambitious, emotionally juiced...