Search Details

Word: chicago (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Jose Padilla was the first and only American citizen to be held without charge after being labeled an "enemy combatant" by President Bush. A 36-year-old former Chicago gang member, he was arrested in June 2002, following his arrival at Chicago's O'Hare airport. The U.S. claimed he had been sent by al-Qaeda to blow up a radioactive "dirty bomb" in an American city...

Author: /time Magazine | Title: Was Jose Padilla Tortured? | 12/4/2006 | See Source »

...from Nov. 30 to Dec. 2. The performance, which was produced by Sarah E. Stein ’08 and directed by Marielle E. Woods ’08, adapted two short stories by Ray Bradbury: “The Veldt” and “To the Chicago Abyss...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'Bradbury' Navigates Reality and Fantasy | 12/3/2006 | See Source »

...However, the stories—and their juxtaposition—work most interestingly as an examination of fantasy and reality. “The Veldt,” in which a virtual-reality playroom takes over the lives of a family, and “To the Chicago Abyss,” about a man who remembers the past before an unstated cataclysm when doing so is a crime against the state, showed two sides of the imagination and its power...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'Bradbury' Navigates Reality and Fantasy | 12/3/2006 | See Source »

...Chicago Abyss” also featured an extensive and dangerous imagination, but here the danger was to the shadowy totalitarian state that rules a shattered future America. A few short, straightforward scenes feature an old man (Jon E. Gentry ’07, who is remarkable) talking about his memories: types of fruit, cigarette brands, and so on, to anyone whose path he crosses. Doing so makes him an accidental revolutionary, because to recall the past is to be dissatisfied with the present, at least in this world...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'Bradbury' Navigates Reality and Fantasy | 12/3/2006 | See Source »

...Chicago Abyss” was much more powerful than “The Veldt,” in large part because its rambling imaginary scenes were the point, rather than a distraction in the service of a storyline. The latter play successfully evoked a regretful, fraught atmosphere, rather than simply making a point, as “The Veldt” did. Even though the characters are miserable, feel sympathy for them, while sympathy is in short supply in “The Veldt.” “To the Chicago Abyss” was more...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'Bradbury' Navigates Reality and Fantasy | 12/3/2006 | See Source »

Previous | 384 | 385 | 386 | 387 | 388 | 389 | 390 | 391 | 392 | 393 | 394 | 395 | 396 | 397 | 398 | 399 | 400 | 401 | 402 | 403 | 404 | Next