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...Chicago" is an independently funded production at the Agassiz Theater, without financial backing from the HRDC. Currently, the show is $5,798 in debt, flying on a loan from the Harvard Club of Mississippi, a $5,000 loan from the Agassiz Theatre, and a prayer...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

...despite the obstacles, Hanley trusts he’ll do the impossible: rake in roughly $25,000 from "Chicago," and donate the funds to the Office for the Arts at Harvard, as an endowment for House drama productions...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

Hanley and his crew sit behind a long table in the basement of the Loeb Drama Center. In the long stretches of idleness, they worry about turnout for "Chicago," although rumors that "everyone" was talking about their show in Annenberg seem to cheer the gang’s spirits...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

...left-right-left, booty-shake-shake-shake," chants the choreographer of "Chicago" as she teaches a dance to boys who try to master the counts. Kaszynski, though slower to learn the steps than the others, looks focused and comfortable...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

Although most of the casting decisions come down to intangible factors like "presence" and the actor’s particular "fit" for "Chicago," Hanley relies on formulaic tests, like giving actors a nervous tic, to evaluate the auditioners. "Okay, I want you to do it again. This time, I’m going to give you a spasm," Hanley says to another auditioning actor...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

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