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...most intriguing comment of the evening was made in the discussion after the play. Someone had asked a chick from the Women's Liberation Front exactly what the goal of the Movement is. Do they want equality with men? "No," she said, "it would be pretty stupid to settle for a deal that lousy...

Author: By Jill Curtis, | Title: The Theatregoer How To Make A Woman at the Caravan Theatre every Friday and Saturday through Nov. 1 | 10/2/1969 | See Source »

...feel very much. Then I walked over to one of the school buildings and the same cat was up in a loft blowing grass. I didn't know what that was then either. I thought it was like heroin. I thought it was really bad. This chick who was a friend of his said, "Why don't you come up and smoke some?" So I went up there and started smoking it out of this Chinese opium pipe. We smoked it for a long time. Finally I climbed down...

Author: /time Magazine | Title: Turning On: Two Views: A TeenAger's Trip | 9/26/1969 | See Source »

MILES DAVIS, IN A SILENT WAY (Columbia). With his customary ingenuity, Miles has turned up some rock samples that should do America proud. By sitting Pianists Herbie Hancock, Chick Corea and Joe Zawinul down at electric keyboards and adding John McLaughlin's guitar, he has found a new sound formula. Using the impressionistic surge of piano, throb of bass and clockwork clack of drumstick, Miles conducts melodic tracking expeditions into a curiously peaceful space...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

...CHICK COREA, NOW HE SINGS, NOW HE SOBS (Solid State). The new pianist in Miles' regular group, Corea creates airy, crystal lines that have an almost fugal precision. Working here with Bassist Miroslav Vitous and Drummer Roy Haynes, the self-possessed young player neither sings nor sobs but delivers fleet atonal improvisations, buoyed by light chords that almost never come to a resolution...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

...disciple of nonviolence (Al Freeman Jr.), Jason seems cursed from the opening. When the robbery erupts into blood and death, it is only a formal ratification of doom. Jason's descent from provocateur to fugitive and his ultimate Tristan and Isolde death scene with a white chick (Joanna Shimkus) are even stagier and more predictable...

Author: /time Magazine | Title: Cinema: Heart Transplant | 7/18/1969 | See Source »

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