Word: chien
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...Nina Chien...
...Nina Chien...
...AUTOBIOGRAPHY My Last Sigh, Luis Bunuel, the father of the surrealist cinema, remarks that the one unifying principle of his first film, "Un Chien D'andalou," was that "no idea or image that might lend itself to a rational explanation of any kind would be accepted." In telling his life story, Bunuel likewise rejects interpretation. His memoirs are a rambling collection of disparate reveries, images, jokes, each of them entirely absorbing. Bunuel does not draw upon these to form conclusions of any sort, to make aesthetic judgements or to evaluate the importance of various events in the development...
...after the opening of his first film, "Un Chien D'andalou," written in conjunction with Salvador Dali, that Bunuel was admitted to the Surrealist group. During the opening, Bunuel hid behind the screens, his pockets full of stones "to throw at the audience in case of disaster...
...began his first film, Un Chien Andalou (1928), by walking onto a moon-flooded balcony and calmly slitting a young woman's eye. He began his last film, That Obscure Object of Desire (1977), by replacing his leading lady with two actresses who alternated scenes in the same role. For Luis Buñuel, the Spanish film maker who died this July at 83, conventions of content and form were mere pieties, best approached with a straight razor and a straight face. He had been, after all, one of the merry pranksters of surrealism, spiking café chat...