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HARVARD-EPWORTH CHURCH, Bunuel's Un Chien Andalou, Land Without Bread, and Simon of the Desert, Feb. 7, 7:30, Ganga Zumba (about a slave rebellion in Brazil), Feb. 10, 7:30 p.m. BAKER LIBRARY, B-SCHOOL, Sam Peckinpah's Ballad of Cable Hogue...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 2/7/1974 | See Source »

Harvard-Epworth films has started a series of all the films of Luis Bunuel, starting with his earliest, the 24-minute silent film Un Chien Andalou (1924), which he made with Salvador Dali. Bunuel had a surrealistic vision from the start, but his surrealism became politicized after a period of time. Las Hurdes (Land Without Bread) was commissioned by the Spanish government, but its political ideas were offensive to its commissioners, and so the film was banned in Spain soon after it was made. Simon of the Desert (1965) was made after his politics had grown mellower--though not quite...

Author: NO WRITER ATTRIBUTED | Title: screen | 2/7/1974 | See Source »

KIRKLAND HOUSE DINING HALL, Shorts: de Duve, Why Man Creates, Un Chien Andalou, the Critic, Easy Street, To Parsifal, Jan. 18,19, at 8 and 10:15, $1 LEVERETT HOUSE DINING HALL, Woody Allen in Take The Money...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 1/17/1974 | See Source »

Salvador Dali and Luis Bunuel's surrealistic Un Chien Andalou is at Kirkland House along with some other shorts, while Bergman's Shame--where the great director takes on death and war with his usual perception--heads a list of swedish films at Hilles. I.F. Stone's Weekly is being held over at the Welles, and it's reportedly the best documentary of the year, about a very admirable journalist...

Author: NO WRITER ATTRIBUTED | Title: screen | 1/17/1974 | See Source »

Peking opera dates back to the 8th century reign of the Emperor Hsuan Tsung, but did not reach its final, refined form until the reign of Emperor Chien Lung (1736 to 1796). The style poses formidable challenges to Western audiences. There is appealing exotica in the pentatonic backgrounds played by such instruments as the two-stringed erh-hu, or alto fiddle, and assorted gongs, clappers, drums and pipes. But the high, falsetto fioritura of the singers is difficult to take at the start, even if it is the Chinese ideal of good singing. Most problematical of all are the symbolic...

Author: /time Magazine | Title: Music: Chinese Opera: Gongs & Whiteface | 10/8/1973 | See Source »

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