Word: chignons
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Dates: during 1950-1959
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...gallery devoted to the art of the 20th century, the atmosphere is established by two great works in it--both of them by Picasso, both dated 1901. La Femme au Chignon is a pre-Blue Period work in which the elongations and winding curves of the Art Nouveau and the flat picture plane and pure colors of Gauguin are employed to render a mood which is Picasso's alone. The other painting, the Maternite, is a great masterpiece of the Blue Period, an altar-piece of modern painting. Its cool blues, El Grecoesque modeling of the light on the draperies...
...second floor gallery arcade. In all, though, I'm afraid that I'll just have to fall back on local pundit-philosopher S. Marshall Cohen's Confucius Say about the Harvard museum situation: "One in the Fogg is worth two in the Busch."PICASSO: La Femme au Chignon...
...dormitory. Aisha has abandoned the slacks and blue jeans which once raised orthodox eyebrows in pre-independence Morocco, but still favors slim-cut black skirts with sport blouses or wool cardigans. She uses pink lipstick, paints her fingernails and toenails to match, wears her thick hair usually in a chignon. Her voice is full, throaty and resonant. She speaks fluent French, is less sure of her English, chain-smokes Kool cigarettes in a long, gold holder...
...began with Psyche, who did not allow herself to be seen in public without her chignon, and gave to modern females the chignon style called the Psyche knot...
...designer who claims to have launched the chignon fad, one Madame Marguerite Buck of Fashion Futures, had also helped promote the short haircut. "American women carry things to extremes," said she. "We didn't expect them to crop all their hair off-they look like Chihuahuas." The chignon, she thought, was the ideal answer...