Word: childishly
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Dates: during 1980-1989
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There is more at stake here than simple laziness. The adaptation makes much of the childish contentment Oblomov found at his doting mother's knee. As the film intercuts the adult story with the dozing country milieu of the boy's intense but innocent love, one comes to understand that Oblomov's objections to modernism are principled. Once he actually knew a better world that he cannot help trying to reembrace...
MOZART'S MAGIC FLUTE, that innocently expansive, made-up fairy tale cut with slices of Masonic mysticism, is probably the most durable of all great operas: you could mount it in a barn or a basilica with equal success. It's such a hodge-podge of childish humor, didactic verses, and obscure allegory that no director's grand interpretation is likely to encompass its entirety. In his film version, Ingmar Bergman--no shirker from directorial complexity--paid tribute to the sufficiency of Mozart's music to bear The Magic Flute's inconsistencies; he presented a filmed record of a workmanlike...
...severest weakness: her drawing of male figures. All her men are foils for her heroines. Incomplete and inconsequential, they serve for Felicitas and Isabel to learn another part of the unvirtuous secular and as love objects for those women who leave the Church. All Gordon's men are childish and petulant, unworthy of love and eventually discarded...
...excitement of a live performance. For example, the group's version of "Blue Moon," an elaborately arranged scat number that never fails in concert, seems lifeless and stale without the little drama that accompanies it on stage. Likewise, "The Masochism Tango," one of their weaker numbers live, comes across childish and definitely unfunny on the record. There are exceptions, particularly Grant Bue's gutsy baritone solo on "What's Your Name?," and the last song on the album, a perfectly paced "Serenade in Blue," with an unusual and pleasing solo by tenor Steve Zelinger...
...father spoke for a great many critics when he asked whether I would now be allowed to work on 'real' books." It is a complaint voiced by almost all his colleagues. Their books may be of shorter than usual length, and child centered. But they are not childish, and most are as serious as any adult novel or history. It was because of the patronizing attitudes that greeted her work that Beatrix Potter denied creating for the young: "I write to please my self," she insisted. And P.L. Travers, creator of Mary Poppins, sardonically concurred: "I didn...