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Spalding reconfirmed for TIME that the marriage, which he calls "a childish scamp," actually took place. He disputes a significant detail in another part of the book, the now much reduced portion dealing with Marilyn Monroe. Hersh writes that in 1960, on an occasion when Monroe was binging on alcohol and pills, Spalding went to Los Angeles at J.F.K.'s request "to make sure she was O.K.--that is, to make sure that Monroe did not speak out of turn." Spalding confirms the trip but emphatically denies that it was in any way intended to keep her quiet...

Author: /time Magazine | Title: SMASHING CAMELOT | 11/17/1997 | See Source »

...Hersh suggests that in 1947 Kennedy secretly married a Palm Beach socialite, Durie Malcolm, and never had the marriage annulled. Malcolm, who is still living, denies the allegation. But Kennedy friend Charles Spalding re-confirmed for TIME that the "childish scamp" of a marriage did actually take place...

Author: /time Magazine | Title: The Myth of Camelot | 11/10/1997 | See Source »

...father, while not playing the childish role of her cousin, proved to be responsible to the point of excess...

Author: By Rebecca F. Lubens, CRIMSON STAFF WRITER | Title: TALES FROM FIRST-YEAR PARENTS WEEKEND | 11/7/1997 | See Source »

...Friday night, we marked a holiday that almost always manages to pass without comment. Every kid loves Halloween, but enthusiasm for the holiday among the young is no excuse for dismissing it as "childish" rather than examining it seriously. Halloween is seen as a fact of life, an amusing bench-mark in the celebratory vacancy that stretches from Columbus Day to Veterans Day. But history has some explaining to do when it comes to Halloween; its prominent place in the American calendar requires some justification. Indeed, it's a strange bird...

Author: By Eric M. Nelson, | Title: All Hallows' Today | 11/3/1997 | See Source »

...librettist exhorts us, too, to "restrain those who fondly court their bane," and scolds those spending their lives "In frantic mirth and childish play/ In dance, and revels night and day..." The music during this mercifully short third section is much slower, perhaps taking its cue from Jennens' admonition that we "Keep...still the same in look and gait/ Easy, cheerful and sedate." This final section is certainly sedate, almost verging even on morose, culminating in the final couplet of the work: a grandiose choral motto, "Thy pleasures, Moderation, give/ In them alone we truly live." Moderation is not quite...

Author: By Anriane N. Giebel, CONTRIBUTING WRITER | Title: A Sweet Treat for the Eyes and Ears, Blissful Baroque Comes to Boston | 10/31/1997 | See Source »

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