Word: childrene
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Dates: during 1960-1969
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...more than $3,000,000, which his estate could not pay. Edward M. Kennedy has raised money to repay these debts, and other members of the family have made contributions. A close friend of Ethel's, recalling the "extravagance of the ebullient life" that she, Bob and the children enjoyed, hints that income and outgo run a neck-and-neck race in her household as in the ordinary American...
...singular strength of Joe Kennedy's wealth, as he applied it to satisfying his own and his children's ambitions, was its concentration and independence. He had no firm or board of directors to whom he owed an accounting. Awed associates watched as he closed business deals by writing checks totaling millions of dollars. Now the managers and trustees are bound to spend money cautiously. The interests of grandchildren must be protected. It will not be so easy to plow millions into a particular political cause...
...money sense. He knew what to use his money for-how to have fun with it. Joe bought all those houses. He made all those movies. He understood about buying himself positions in government-London, for example. And he knew how to use money to push his children along as fast as they could be pushed. Yes, he knew what money...
That may be partly true, but Raquel is unique among sex queens in another respect. Harlow had her seamy affairs; Hayworth her prince; Monroe her outfielder and her playwright; Taylor her high-rolling entrepreneur, Debbie's crooner and Sybil's Welsh actor. By contrast, Raquel has two children by a former marriage to her high school sweetheart, and is presently wed to an inoffensive uncelebrity named Patrick Curtis. She does not flounce around studio sets in see-through blouses by day or boogaloo at the Factory by night. She does not smoke. She does not drink. She rarely entertains. Says...
Armand decided early to bombard his brood with the self-improvement lessons that most children congenitally abhor. Not Raquel. She devoured them. She was particularly enthralled by the ballet lessons that Armand thought would give her poise. What they did was give her ideas, which she now sentimentalizes. "I saw The Red Shoes ten times," she recalls. "I decided then that I wanted to be a ballerina." She has plenty of aptitude for the dance, according to her former teacher, Irene Clark, but hardly the proper spirit. "There was no humility in her approach to art," remembers Miss Clark...