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...stand a chance. So it is the Federal Government's responsibility to help with some sort of bailout. They need seed money. They need a WPA's worth of pastry chefs to make pot brownies. They need Snoop Dogg to pass on his genes to even more children. They need to get the 3-D version of Cloudy with a Chance of Meatballs on DVD right away...

Author: /time Magazine | Title: Let's Bail Out the Pot Dealers! | 11/16/2009 | See Source »

...beginning, there was the dummy. Long before Dora the Explorer, children's television was dominated by a freckly marionette and his pal Buffalo Bob. Howdy Doody's template--a vaudevillian romp full of wacky characters and make-believe--was followed well into the 1960s, picked up by shows like Captain Kangaroo and Bozo's Circus. (Before syndication, early children's programs were franchised across the country; at one time there were more than 200 Bozo the Clowns working U.S. airwaves...

Author: /time Magazine | Title: Brief History: Children's Television | 11/16/2009 | See Source »

While Sesame Street inspired a new approach to children's programming, other formats were faltering. Sitcoms like Gilligan's Island began to push out locally produced kids' shows, while animation studios like Hanna-Barbera offered their own distractions. In 1990 the Children's Television Act required that all stations air at least three hours of educational programming a week, prompting a brainteasing revolution. Preschool kids now learn problem-solving from Blue's Clues, teamwork from Wonder Pets! and Mandarin from Ni Hao, Kai-lan. Good thing they already know how to get to Sesame Street...

Author: /time Magazine | Title: Brief History: Children's Television | 11/16/2009 | See Source »

JAMES WEILL, president of the Food Research and Action Center, on an analysis of 30 years of data that found nearly half of all U.S. children and 90% of black youths will have to depend on food stamps at some point in their childhoods...

Author: /time Magazine | Title: Verbatim | 11/16/2009 | See Source »

...Some bloggers have wondered if it isn't simply in the French blood to root for an underdog taking on authority figures. Generations of French children have been enamored with traditional Guignol puppet shows, in which the protagonist, Guignol, fights with a rotten, bumbling policeman. The nation is also obsessed with the comic-book hero Asterix, a puny but cunning Gaul warrior who always gets the best of Julius Caesar's Roman armies despite being overmatched and outnumbered. (Read "Asterix at 50: A French Comic Hero Conquers the World...

Author: /time Magazine | Title: How a Bank Robber Became an Antihero in France | 11/16/2009 | See Source »

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