Word: childs
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What is solvable is the matter of Julia's boredom. Paul and she can't spend every waking minute together in a bistro, sharing divine sole meunière. "What should I do?" she asks him, just one of many moments when Streep's channeling of Child's speech patterns caused me to yelp with pleasure. She ends up at Le Cordon Bleu cooking school and discovers, triumphantly, that she has talent for it. She's also very pleased to defy the expectations of the Cordon Bleu's snooty director (Joan Juliet Buck), who didn't believe an American housewife stood...
...Ephron's screenplay hints at some distaste for her second lead. She shows Julie's undertaking as a scheme to keep up with a friend who has a successful blog rather than as a pure homage to Child. "I could write a blog," Julie tells her cute husband Eric (Chris Messina), who agrees, because he is as supportive and helpful as a Seeing Eye dog. She is pleased by her growing mastery of French cooking, but what she's really exultant about is the growing number of comments on her blog. She has followers, the contemporary dream. After...
There are memoirists like Child who write about what made them famous, or infamous. There are unremarkable people who write about a remarkable thing that happened to them. And there is the 21st century memoirist, who makes him- or herself interesting in order to write about it, usually through a time-centric gimmick, like spending a few months at, say, an ashram. Powell belongs to this last category, and cannily the movie lets us see how the wheels turn in her head. Ephron includes Child's real-life reaction to Powell's blog and lets it stand; she doesn...
...Streep's Child is better than a basket of kittens. The performance is a hoot and a joy. It's not just a demonstration of tremendous skill; it's emotional persuasion. In two minutes, I had forgiven her for Mamma Mia!, and when she wasn't onscreen, I felt bereft, even though I knew a diet of nothing but Streep as Child would be like living on laughing gas, lobster and chocolate. Poor Adams. It's no wonder she seems to be trying too hard...
...1970s, I watched Child on PBS with my mother. It was obvious even to a kid that this tall woman with the tremulous voice was having tremendous fun in her kitchen. Even when she made mistakes, she seemed like a woman at peace. Ephron shows us the Child who was on the road to that peace. She'd won the romantic lottery but was still seeking - not fame or importance but a way to be useful, and to share. She was modern in the best sense of the word. Julie & Julia is structured around the idea of two women "finding...