Word: chins
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Dates: during 1950-1959
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State Secret (London Films; Columbia) blends chills and chuckles in a melodrama that recalls vintage Hitchcock. Up to its chin in understated intrigue almost as soon as its opening titles have faded, the film keeps its suspense and credibility high right up to a neat, satisfying solution in the closing moments...
...Roosevelt home she hugged & kissed Jimmy's two-year-old daughter, Anna Eleanor and told her son severely: "She has a chin like mine. You'll have to start her exercising her chin." Then she turned to the problem presented by a houseful of reporters, most of them thirsting to embroil her in argument about local politics. She solved it by discussing the United Nations-so firmly, so energetically and with so much of the air of a Hokinsonian clubwoman doing flower arrangements that the press fidgeted, breathed heavily and resigned itself to an austerity diet of Larger...
...mayor of Albany proclaimed a "Grandma Moses Day" last week, and the famed little upstate New York artist bustled in from Eagle Bridge, 30 miles away, to help celebrate it. Wearing a perky black jersey bonnet with a velvet chin strap, and a corsage of sweetheart roses presented by her three-year-old great-granddaughter, Grandma accepted the keys of the city. Then she went on to grace the opening of a show of 60 of her paintings at the Albany Institute of History and Art. Some 600 people milled through the gallery, gaping at the artist and at such...
...Chin Tufts & Bravos. Last week, after concerts by the U.S.'s flamboyant Leonard Bernstein (conducting from the piano), the redoubtable Sir Thomas Beecham and France's crack Loewenguth String Quartet, one performance stood out as loftily as old Edinburgh Castle itself. In King's Theatre, when the curtain went down on the Glyndebourne Opera Company's new and magnificent production of Richard Strauss's Ariadne auf Naxos, the audience leaped to their feet, mixed their applause with wave after wave of bravos...
...Edinburgh oldtimers, Glyndebourne's production of Ariadne, a complex opera-within-a-play, was the four-year-old festival's most ambitious single project yet. Some of the credit went to chin-tufted Sir Thomas Beecham in the pit. But most of it was due to a big, swarthy, white-maned man named Carl Ebert, who has directed the famed Glyndebourne, and all of its festival productions, since Glyndebourne's start...