Word: chins
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...nothing more interesting than to see the phenomenal juxtaposition of modern ballet set to old-fashioned music—and to see dancers finding the modern rhythms in that music as successfully as they did in “Bach Suite.” The pairing of Lauren E. Chin ’08 and Joanna R. Binney ’08 was visually stunning, with stellar turns, impressive footwork, and great unison. With this perfect choreography, excellent execution, and beautiful costumes, “Bach Suite” was the most spectacular performance of the night...
...facing profiles of the Duke and Duchess of Urbino are iconic Renaissance images, especially the Duke, Federico III, one of the Renaissance's most accomplished condottieri, or mercenary barons. Painting with brilliant color and unfiltered realism, Piero doesn't blink at the prominence of Federico's nose and chin, but he never crosses into caricature. His approach gives Piero's portraiture a strikingly modern aspect. "It is almost hyper-realism," Bertelli says. "The faces are gigantic compared to the background landscape, making them monumental." The same attention to character is evident in his frescoes. La Madonna del Parto (The Pregnant...
...take it on the chin one weekend and its going to hurt for a while,” Donovan said...
...wouldn’t put it past him to throw one right under my chin,” Kramer wrote...
...excellent cello playing is a hard act to follow, the choreography demonstrates a deep understanding of the relationship between tension and fluidity and allows the dancers to complement, rather than compete with, Koh’s playing. The two dancers of the piece–Koch and Lauren E. Chin ’08–give a convincing performance, expertly using their facial expressions to add to the emotion and energy of their movements.Boston Ballet II, a pre-professional dance program affiliated with the Boston Ballet, closed the Friday show with Susan Shields’ “Sunlit...