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Word: chiricos (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Georgio de Chirico who fathered surrealism before World War I. But the Prophet soon lost the Faith, and his Paris disciples excommunicated him in 1926; even if he still lived, they said, Chirico was dead. Last week the old outlaw of the cult raised a rumpus...

Author: /time Magazine | Title: Art: Counterfeits Preferred | 8/26/1946 | See Source »

...Museum of Modern Art once asked this question, writing in the days (1930) when the surrealist movement direly needed an apologist in the U.S. Last fortnight, Barr's Museum acquired one of the most important early surrealist paintings. The picture was 55-year-old Italian Giorgio de Chirico's Delights of the Poet, painted...

Author: /time Magazine | Title: Art: Mystery and Implied Rumble | 8/16/1943 | See Source »

...Chirico (pronounced Kirico) was last reported living in Florence. Following his visionary, "enigmatic" period, he produced a series of relatively academic paintings featuring prancing stallions, which an unsympathetic wit once dubbed "neigh plus ultra." During the '20s he quarreled bitterly with the official Paris surrealists, who formally decided that he had died spiritually...

Author: /time Magazine | Title: Art: Mystery and Implied Rumble | 8/16/1943 | See Source »

Surrealists, Class-Strugglers. Kootz whales away at surrealism in general as "an aspect of frustration" and evidence of "the decay of France." He admires the earlier work of Giorgio di Chirico. But of Salvador Dali he says: ". . . Each new showing evidences an hysterical attempt to provide the spectator with a different shock than that of the preceding exhibit." Of a Max Ernst show in 1941 he remarks: "Here, just the right amount of peep-show pornography ... to provide final fashionable acceptance to an audience thrilled by its chichi eroticism...

Author: /time Magazine | Title: Art: He Knows What He Dislikes | 5/10/1943 | See Source »

...Freudian nightmare by Surrealist Ernst. Painted specially for the exhibition, Surrealism & Painting depicted a nest of multicolored bosomy birds, from whose naked, writhing limbs a semihuman arm emerged to paint its creator's conception of the disorderly universe. In the next room hung early canvases by de Chirico; also three recent Picassos, one of which, Les Femmes au Bord de la Mer, dwarfed, by its sheer creative power, every other painting in the show...

Author: /time Magazine | Title: Art: Inheritors of Chaos | 11/2/1942 | See Source »

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