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Word: chiricos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...secondary to Rockefeller. "My enjoyment of art," he says, "is more an esthetic than an intellectual reaction." This leads him to favor Cubists over Surrealists, color-field painters over pop. Yet he is not doctrinaire about his preferences for schools, and his collection includes George Segal and Giorgio de Chirico's Song of Love...

Author: /time Magazine | Title: Art: Pervasive Excitement for the Eye and Mind | 5/16/1969 | See Source »

Stepping from the control house into East Berlin itself is a little like stepping into a de Chirico painting. There is an atmosphere of oppression which cannot adequately be depicted by sketching the physical ruin of the city. The number of people on the street drops, the number of automobiles is cut to about a quarter the number in the West, there are empty kiosks, banners ("The State Needs Everyone; Everyone Needs the State"), and wall-murals of workers, farmers, and technicians marching forward under the banner of the German Democratic Republic...

Author: By Richard T. Legates, | Title: Beyond the Wall: 'Here Freedom Begins' | 10/13/1964 | See Source »

While the exhibition does not pretend to be a comprehensive survey of Surrealist and Fantastic art, virtually every important Surrealist artist is included. Arp, Chagall, de Chirico, Dali, Ernst, Klee, and Miro are each represented by a number of paintings; several of these works are well-known and most are characteristic of each artist's particular development...

Author: By Susan Engelke, | Title: Surrealist | 2/27/1964 | See Source »

With his characteristic classically-conceived "modern" forms and blatantly ugly color palette, Giorgio de Chirico depicts his reaction to modern civilization. In "The Nostalgia of the Infinite" (1913-14) the viewer looks up a towering building, isolated and uncommunicative; in "The Anxious Journey" (1913), he sees a maze of arches and doorways, uncommitted and foreboding...

Author: By Susan Engelke, | Title: Surrealist | 2/27/1964 | See Source »

Until he was nearly 40, he painted heavy landscapes that rarely showed a human being. His style was a Flemish variation of the German and Scandinavian expressionism. Then in 1936 he discovered the surrealist work of Italy's Giorgio de Chirico ("I was haunted by his poetry of silence and obsession") and Belgium's René Magritte. "They were the springboard that brought me into my own world," he says. Delvaux destroyed almost every painting he had ever done and began anew...

Author: /time Magazine | Title: Art: Poetic Shock | 6/28/1963 | See Source »

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