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...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...Allegra Beck, 11, is the main beneficiary of Versace's fortune, including his 45% share in the company, worth about $50 million, according to Italian news reports. Daniel didn't miss out entirely. He's said to have inherited his uncle's art collection, including works by Picasso, De Chirico and Leger...

Author: /time Magazine | Title: People: Sep. 29, 1997 | 9/29/1997 | See Source »

There was, however, nothing particularly revolutionary about his paintings. Seeking a credible genius costume, he did versions of Cubism, of De Chirico's pittura metafisica, and developed his dry, classicizing realism in such images as Seated Girl Seen from the Back, 1925. It is an easy matter to go through this early work identifying, here and there, what would grow and what would not: how the taste for smoothly curved profile and deep black relief that he got from Amedee Ozenfant's decorative Cubism, for instance, turned into Dali's later fondness for writhing, spookily dark shadows cast by figures...

Author: /time Magazine | Title: ART: Salvador Dali: Baby Dali | 7/4/1994 | See Source »

...work, in the 1920s, was mainly exercises in late Cubism -- the "tubist," streamlined, geometrical forms of Fernand Leger and Amedee Ozenfant, shapes that might have been made from metal. The artist who clearly had the biggest impact on Magritte, turning him toward fantasy and irrational images, was Giorgio de Chirico. And even then Magritte couldn't find a way to use De Chirico's unique scenography until he learned about collage from Max Ernst...

Author: /time Magazine | Title: Art: The Poker-Faced Enchanter | 9/21/1992 | See Source »

...Gerrit Rietveld in the 1920s abstracted the shape of a chair into a penitential parody of itself. Not only Cubism gets its share of parody, but other styles as well -- Frank Stella's paintings or, in a tiny architectural piece with a tower and a tilted ramp called De Chirico's Bathhouse, 1980, the theatrical piazzas of Italian "metaphysical painting...

Author: /time Magazine | Title: Art: The Faberge of Funk | 4/13/1992 | See Source »

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