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...fathers: like most European artists since the Renaissance, he works to express human emotions, not to hint at supernatural forces. Suffering, supplication, exuberance were typical themes of his London show-themes ill-suited to violent distortion. Enwonwu sometimes let the shape and grain of the wood guide his chisel, to produce partial abstractions that merely pleased the eye. "Sometimes," he told admirers at the show's opening, "I see the form in my mind and it grows and grows as I work. I am happy when I am hacking out; I never want to stop." Smoothing the thigh...

Author: /time Magazine | Title: Art: Out of Africa | 9/4/1950 | See Source »

London Sunday Times Critic Eric Newton decided that "only when hand and chisel and imagination are in complete harmony can such confidence [as Enwonwu's] occur." If the'same harmony existed between his African heritage and his European training, Enwonwu's art might have had punch to match its polish...

Author: /time Magazine | Title: Art: Out of Africa | 9/4/1950 | See Source »

Last week, Comrade di Vittorio and his CGIL faced a rising rival, the CISL-Confederazione Italiana Sindacate Lavoratori (Italian Confederation of Workers' Trade Unions). CISL (pronounced chisel) started growing two years ago as a Christian Democrat splinter of the Communist union, has grown steadily and courageously, chiseled deeply into Red trade union strength. Last month the Communists called a waterfront strike against U.S. arms shipments. CISL unionists, under police guard, broke it by unloading American weapons at Naples...

Author: /time Magazine | Title: ITALY: CISL | 5/15/1950 | See Source »

...dreamily proceeds to daub The Raising of Lazarus on the wall over the antique sideboard. But in two ticks Gulley himself is invaded by another, equally ruthless genius-a ferocious sculptor who cheerfully hoists a vast block of rock through the studio window and sets to work with a chisel...

Author: /time Magazine | Title: Books: No Snuffling | 2/6/1950 | See Source »

When the spirit moves him, Montreal Sculptor Robert Roussil, 24, does not fuss around with preliminary sketches; he snatches up hammer & chisel and attacks the raw material as it stands. Last summer he saw an oddly shaped tree, a tall pine with a forked trunk, and the spirit moved. By the time all the chips had fallen, Roussil had an impressionistic piece sculptured in the totemic form: a father standing in front of a kneeling mother holding a child. He called it Family Group...

Author: /time Magazine | Title: CANADA: Totem & Taboo | 11/21/1949 | See Source »

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