Word: chiselling
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...Manhattan shoe salons last week, style setters and trend diviners were claiming that the pointed-toe look was slowly becoming old shoe. Offering blessed relief to women, who for five years have painfully squeezed their feet into narrow, stiletto-heeled, pointed-toe shoes, is the radically different "chisel toe" look-long, flattened, square-toed shoes that bear more than passing resemblance to the bill of a platypus...
According to the more uninhibited of the new media boys, there is not much future any more to using only such oldfashioned tools as brush, chisel or paint. They find their tradition in the burlap-bag "paintings" of Italy's Alberto Burri, the childlike deformations of France's Jean Dubuffet, and the once shocking collages of Germany's late Kurt Schwitters. Last week these Old Masters were duly represented by Martha Jackson in a special "historical section." The rest of the gallery was given over...
Chips from the Chisel. This is the sort of record that archaeologists love. The mound represented what for many centuries was a well-built stone city of about 10,000 inhabitants. The oldest part seems to have flourished before 2500 B.C. It had no city wall, and a layer of ashes shows that its poor defense posture may have enabled an invader to burn it. When the inhabitants built a new city, they encircled it with a substantial wall...
...such an atmosphere, fixing was epidemic. On CBS, testified a network spokesman, Dotto went crooked. So did For Love or Money (whose "dancing decimal machine" was rigged to chisel down the contestants' possible winnings). After a contestant reported he had been fed an answer, CBS even began to investigate The $64,000 Challenge (which was owned by a packaging firm controlled by CBS-TV President Lou Cowan). The network chucked all three shows between August 1958 and last January. But it has continued to ride with Name That Tune, though it publicly admits that some contestants are asked...
There, in the library he discovered Roger Fry's Vision and Design, with its contention that there was more power and freedom of form in the sculpture of African savages than in most "civilized" art. The idea struck Moore's imagination as sharply as a chisel striking stone. After two years at Leeds, he won a scholarship to the Royal College of Art in London and discovered the primitive sculpture in the British Museum. "I was in a daze of excitement. I would literally float home on the top of an open-deck...