Word: chloe
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Yannatos' score, especially as interpreted by soprano Chloe Owen, exhibits perfect understanding of every line of the poem and an ability to transform this understanding into music. The audience stopped looking at the translation of the text during the first poem, but it continued to respond, with comprehension and laughter, to the music itself. The work is humorously, but thoughtfully, refreshing...
...Harvard-Radcliffe Orchestra will conclude its season at 8:30 p.m. tonight with a concert in Sanders Theatre. The program will include works by Mahler, Mozart, and Verdi, and the world premiere of conductor James D. Yannatos's Prieres dans l'arche, Chloe Owen, soprano, will be the soloist in the Mahler and Yannatos works...
They are dedicated wives (generally to high-powered men who dabble equally in politics and the arts, wear dinner jackets and parkas with identical ease) and devoted mothers (generally to no more than four picture-book children with fanciful names like Chloe and Sabrina, Tared and Clive). Somehow they find time for charity work, church functions, community projects and college alumnae drives. They are enthusiastic music lovers (with a predilection for baroque quartets, German lieder and early Dixieland, an antipathy for anything atonal) and zealous art collectors (with a penchant for abstract expressionists, pre-Columbian sculpture and 18th century French...
...German Jew who settled in Paris as a ten-year-old cello prodigy and later studied composition with Cherubini, Offenbach churned out musiquettes galore for his beloved Bouffes-Parisiens. The two works that Darmstadt saw, The Transformed Cat and Daphnis and Chloe, are quintessential Offenbach. One, resembling a Freudian treatment of La Fontaine, tells of a cat's metamorphosis into a woman of feline charm who turns at night into a rooftop mehitabel; the other shows Pan thwarted in a sneaky attempt to teach Chloe the art of love-and ends with a riproaring, garter-snapping cancan. The ideal...
...lethargic spirit. On its third tour, it has seemed like a new orchestra. The sound is still heavier than that of U.S. orchestras but the heaviness no longer gets in the way of the music making. The Philharmonic contributed some performances nobody could forget-a shimmering Ravel Daphnis and Chloe, a surgingly powerful Bruckner Seventh Symphony, a glowing Beethoven Third, all of them conveyed with darkly colored intensity...