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Word: chloe (lookup in dictionary) (lookup stats)
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...CHLOE W. BLANCHARD Calhoun...

Author: /time Magazine | Title: Letters, Feb. 17, 1958 | 2/17/1958 | See Source »

...speeches. Tolan (Cain, and Zozim) brings real fire to the role of the world's first transgressor of the Fifth and Sixth Commandments. Moss (Prof. Barnabas, Accountant General, and the Elderly Gentleman) manages to make individual his three well-seasoned men. John Granger (Strephon) and Dorothy Whitney (Chloe) round out the cast...

Author: By Caldwell Titcomb, | Title: Back to Methuselah | 8/1/1957 | See Source »

French-born Conductor Charles Munch, his thick, white hair flying in the musical breeze, led his crew through Beethoven's "Eroica" Symphony, Walter Piston's Sixth, and, in a specialty that every Munchian audience outside Russia has heard and heard again, Ravel's Daphnis and Chloe, Suite No. 2. At the end, the crowd let loose an eight-minute tumult, only stopped temporarily when the orchestra went into a rare encore-Dukas' Sorcerer's Apprentice. Said a leading Russian fiddler: "It's the greatest orchestra in the world...

Author: /time Magazine | Title: Music: Boston in Russia | 9/17/1956 | See Source »

Infinite Variety. The Barrons achieve their effects by designing electronic circuits that they think express certain emotional characteristics when attached to a loudspeaker, and they tend to call the circuits "characters.'' One expresses anger. Another they call Chloe, because it sounds to them like the lost swamp girl. Some express themselves in a kind of melody, or at least in a series of pitch changes. To provide a sound accompaniment to a film scene, the Barrons kept altering circuits until one expressed what they were looking for. Then they combined it with others, recorded the resulting series...

Author: /time Magazine | Title: Music: Music of the Future | 7/2/1956 | See Source »

...also a large quota of safe and popular items-currently a new Madama Butterfly (the seventh on LP) ^and Oistrakh playing Lalo's Symphonic Espagnole. On the chic side, there are exquisite performances of the most sensuous musings of Debussy (Trois Nocturnes, La Mer) and Ravel (Daphnis et Chloe, L'Heure Espagnole}. There are also imposing works of Stravinsky and Bartok...

Author: /time Magazine | Title: Music: Angel at Two | 12/19/1955 | See Source »

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